Skip Nav Destination
Article navigation
Winter 2001
December 01 2001
“Authentic/Ex-Centric” at the Venice Biennale: African Conceptualism in Global Contexts
Salah M. Hassan
Olu Oguibe
Online Issn: 1937-2108
Print Issn: 0001-9933
Copyright 2001 Regents of the University of California
2001
African Arts (2001) 34 (4): 64–96.
Citation
Salah M. Hassan, Olu Oguibe; “Authentic/Ex-Centric” at the Venice Biennale: African Conceptualism in Global Contexts. African Arts 2001; 34 (4): 64–96. doi: https://doi.org/10.2307/3337807
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
Advertisement
Cited By
Related Articles
Is a Global History of Architecture Displayable? A Historiographical Perspective on the 14th Venice Architecture Biennale and Louvre Abu Dhabi
ARTMargins (February,2015)
Africa at the 55 th Venice Biennale: Of Achievements and Illusions
African Arts (March,2014)
A Summer of Art?
African Arts (March,2018)
52nd Venice Biennale: Think with the Senses–Feel with the Mind: Art in the Present Tense
African Arts (September,2008)
Related Book Chapters
Authentication and Justification
Truth in Husserl, Heidegger, and the Frankfurt School: Critical Retrieval
Ex-Prodigy: My Childhood and Youth
Norbert Wiener—A Life in Cybernetics: Ex-Prodigy: My Childhood and Youth and I Am a Mathematician: The Later Life of a Prodigy
Ex ante Policies to Avoid Contagion: Capital,
Connectedness and Contagion: Protecting the Financial System from Panics
Water/Theos
Writing on Water