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Summer 2009
June 01 2009
Embodying the Sacred in Yoruba Art: Featuring the Bernard and Patricia Wagner Collection: A Case Study in Museum Practice
Ugochukwu-Smooth Nzewi,
Ugochukwu-Smooth Nzewi
Ugochukwu-Smooth Nzewi is a graduate student of African art history at Emory University.
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Carol Thompson,
Carol Thompson
Carol Thompson is Fred and Rita Richman Curator of African Art, High Museum, Atlanta. [email protected]
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Rebekah Mejorado
Rebekah Mejorado
Rebekah Mejorado is Curatorial Assistant to the African Art Department, High Museum.
Search for other works by this author on:
Ugochukwu-Smooth Nzewi
Ugochukwu-Smooth Nzewi is a graduate student of African art history at Emory University.
Carol Thompson
Carol Thompson is Fred and Rita Richman Curator of African Art, High Museum, Atlanta. [email protected]
Rebekah Mejorado
Rebekah Mejorado is Curatorial Assistant to the African Art Department, High Museum.
Online ISSN: 1937-2108
Print ISSN: 0001-9933
© 2009 by the Regents of the University of California.
2009
African Arts (2009) 42 (2): 32–43.
Citation
Ugochukwu-Smooth Nzewi, Carol Thompson, Rebekah Mejorado; Embodying the Sacred in Yoruba Art: Featuring the Bernard and Patricia Wagner Collection: A Case Study in Museum Practice. African Arts 2009; 42 (2): 32–43. doi: https://doi.org/10.1162/afar.2009.42.2.32
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