Skip Nav Destination
Article navigation
Summer 2009
June 01 2009
Grass Roots: African Origins of an American Art
Enid Schildkrout,
Enid Schildkrout
Enid Schildkrout is chief curator and director of exhibitions and publications at the Museum for African Art and curator emeritus at the American Museum of Natural History. Her exhibitions and publications include “African Reflections: Art from Northeast Zaire” (1990) and “Body Art: Marks of Identity” (2000) at the American Museum of Natural History.
Search for other works by this author on:
Dale Rosengarten,
Dale Rosengarten
Dale Rosengarten is a historian and curator in Special Collections at the College of Charleston Library. Her exhibitions and publications include Row upon Row: Sea Grass Baskets of the South Carolina Lowcountry (1986) and “A Portion of the People: Three Hundred Years of Southern Jewish Life.”
Search for other works by this author on:
Theodore Rosengarten
Theodore Rosengarten
Theodore Rosengarten is an independent scholar, teacher, and writer with interests in Southern history, race relations, and the Holocaust. His publications include All God's Dangers: The Life of Nate Shaw (1974) and Tombee: Portrait of a Cotton Planter (1986). He is the recipient of a MacArthur Fellowship and a Lyndhurst Prize.
Search for other works by this author on:
Enid Schildkrout
Enid Schildkrout is chief curator and director of exhibitions and publications at the Museum for African Art and curator emeritus at the American Museum of Natural History. Her exhibitions and publications include “African Reflections: Art from Northeast Zaire” (1990) and “Body Art: Marks of Identity” (2000) at the American Museum of Natural History.
Dale Rosengarten
Dale Rosengarten is a historian and curator in Special Collections at the College of Charleston Library. Her exhibitions and publications include Row upon Row: Sea Grass Baskets of the South Carolina Lowcountry (1986) and “A Portion of the People: Three Hundred Years of Southern Jewish Life.”
Theodore Rosengarten
Theodore Rosengarten is an independent scholar, teacher, and writer with interests in Southern history, race relations, and the Holocaust. His publications include All God's Dangers: The Life of Nate Shaw (1974) and Tombee: Portrait of a Cotton Planter (1986). He is the recipient of a MacArthur Fellowship and a Lyndhurst Prize.
Online Issn: 1937-2108
Print Issn: 0001-9933
© 2009 by the Regents of the University of California.
2009
African Arts (2009) 42 (2): 44–55.
Citation
Enid Schildkrout, Dale Rosengarten, Theodore Rosengarten; Grass Roots: African Origins of an American Art. African Arts 2009; 42 (2): 44–55. doi: https://doi.org/10.1162/afar.2009.42.2.44
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
30
Views
Advertisement
Cited By
Related Articles
Hysterical Amateurs: Wild Seeds Burning on the Grass Stage
TDR/The Drama Review (September,2020)
Blue Grass Music and Ant-Steps
Leonardo Music Journal (December,2006)
Grass Roots
Leonardo Music Journal (December,1999)
Hierarchy, Not Lexical Regularity, Modulates Low-Frequency Neural Synchrony During Language Comprehension
Neurobiology of Language (September,2022)
Related Book Chapters
27 Business, Grass Roots, and the Regional Agenda
Breakthrough Communities: Sustainability and Justice in the Next American Metropolis
Restoring South Florida’s River of Grass
Natural Experiments: Ecosystem-Based Management and the Environment
The Newton of a Blade of Grass: Charles Darwin and the Political Economists
Darwinism Evolving: Systems Dynamics and the Genealogy of Natural Selection
The Roots of Gas Lighting
Progressive Enlightenment: The Origins of the Gaslight Industry, 1780-1820