Skip Nav Destination
Article navigation
Spring 2012
March 01 2012
Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents
Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents
. Metropolitan Museum of Art
, New York
, March 8–August 21, 2011
Online Issn: 1937-2108
Print Issn: 0001-9933
© 2012 by the Regents of the University of California.
2012
African Arts (2012) 45 (1): 78–80.
Citation
Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents. African Arts 2012; 45 (1): 78–80. doi: https://doi.org/10.1162/afar.2012.45.1.78
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
Advertisement
Cited By
Related Articles
Accuracy and Efficiency in Fixed-Point Neural ODE Solvers
Neural Comput (October,2015)
The Joint Development of Orientation and Ocular Dominance: Role of Constraints
Neural Comput (July,1997)
Sound Synthesis Based on Ordinary Differential Equations
Computer Music Journal (September,2015)
Binding under Conflict Conditions: State–Space Analysis of Multivariate EEG Synchronization
J Cogn Neurosci (September,2011)
Related Book Chapters
Ode to the Ice Bucket
Cryopolitics: Frozen Life in a Melting World
Iconicity
Oratio Obliqua, Oratio Recta: An Essay on Metarepresentation
THE AUTO-ICON
The Radical Fool of Capitalism: On Jeremy Bentham, the Panopticon, and the Auto-Icon
To Icon or Not to Icon
absence of clutter: minimal writing as art and literature