Writing a review entails taking a book apart, fragmenting it into a set of claims and concepts to be critiqued. In the case of Prita Meier's Swahili Port Cities: The Architecture of Elsewhere, this is no easy task. Compact and complex, Meier's sensitively differentiated historical exploration of Swahili Coast material culture is a challenge to unpick. She does not present a simple argument, but an aggregate of fine-grained analyses of a diverse range of subjects and objects that contribute to producing the constructed environments of Lamu, Mombasa, and Zanzibar. By layering studies of porcelain plates imported from China, full-scale oil portraits of Sultan Barghash authored in Paris, mass-manufactured cast-iron verandas from Glasgow, and local coral-stone merchant houses, Meier collapses binaries such as local/global, high/low, or indigenous/foreign and challenges established analytical categories—for example, the nation state. In this innovative and carefully considered book, she persuasively argues that real and imagined...

You do not currently have access to this content.