In the exhibition review of Urban Cadence that appeared in African Arts volume 52, no. 1, artist Jude Anogwih was mistakenly referred to as “her.” The third sentence of the first paragraph on p. 93 should read, “With the camera on a boat in Makoko-iwaya, Anogwih focused his lens on the water to reveal reflections of piers, docks, and passing boats.”

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