Kifwebe (pl. bifwebe), a word referring to the striated masks performed by Songye and Luba peoples of the Democratic Republic of Congo, is by now very familiar to scholars, collectors, and dealers of African art. Although these masks populate many public and private collections and have even inspired designers and artists in the West, their indigenous story and time line, spilling over a vast region, is fragmentary. The object of this paper is to review and update what we know—and do not know—about the contextual life of kifwebe masquerade associations. It will deal with aspects relating to the effect, definition, and function of performances of this dynamic, interethnic tradition, mainly in Songye areas and, for comparison, in documented parts of Lubaland. In so doing, a certain amount of repetition of previous findings is necessary to place into perspective new data and interpretations which will build upon my 2012 publication...
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Spring 2020
January 01 2020
Further Perspectives on Kifwebe Masquerades
Dunja Hersak
Dunja Hersak
Dunja Hersak is Chargé de Cours Honoraire, Université Libre de Bruxelles, and the global exhibition reviews editor of African Arts. [email protected]
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Dunja Hersak
Dunja Hersak is Chargé de Cours Honoraire, Université Libre de Bruxelles, and the global exhibition reviews editor of African Arts. [email protected]
Online ISSN: 1937-2108
Print ISSN: 0001-9933
© 2020 by the Regents of the University of
California.
2020
The Regents of the University of California
African Arts (2020) 53 (1): 6–23.
Citation
Dunja Hersak; Further Perspectives on Kifwebe Masquerades. African Arts 2020; 53 (1): 6–23. doi: https://doi.org/10.1162/afar_a_00511
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