Legacies of Biafra was held over two floors of the Brunei gallery, which is housed by the School of Oriental and African Studies of the University of London. The stimulus was the need to mark and commemorate the fifty years that have elapsed since the establishment of the Republic of Biafra and the subsequent turbulence of the Nigerian civil war. The genesis of the exhibition was in a conference, Legacies of Biafra, hosted by the Igbo Conference (Igbo Studies Initiative) at the School of Oriental and African Studies in April 2017. This exhibition was developed in collaboration with the Nigeria Art Society UK (NASUK) and was a visual illustration of the complex legacies of Biafra, the sense of mourning and loss and the belief in hope of renewal. As the curator, Louisa Egbunike, notes in her introduction to the catalogue, the conversation about Biafra and its legacies is not an...
Skip Nav Destination
Article navigation
Spring 2020
January 01 2020
Legacies of Biafra guest curator Louisa Egbunike
Legacies of Biafra
guest curator Louisa
Egbunike
Brunei Gallery, School of Oriental and African Studies
, London
January 11-March 24, 2018
Will Rea
Will Rea
Will Rea is Senior Lecturer at the University of Leeds in art history. He has been working in Nigeria for the past twenty years on Yoruba culture and modern Nigerian art and is currently consulting on the curation of the JK Randle Yoruba heritage Centre in Lagos. [email protected]
Search for other works by this author on:
Will Rea
Will Rea is Senior Lecturer at the University of Leeds in art history. He has been working in Nigeria for the past twenty years on Yoruba culture and modern Nigerian art and is currently consulting on the curation of the JK Randle Yoruba heritage Centre in Lagos. [email protected]
Online ISSN: 1937-2108
Print ISSN: 0001-9933
© 2020 by the Regents of the University of California.
2020
The Regents of the University of California
African Arts (2020) 53 (1): 82–84.
Citation
Will Rea; Legacies of Biafra guest curator Louisa Egbunike. African Arts 2020; 53 (1): 82–84. doi: https://doi.org/10.1162/afar_r_00517
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
200
Views
Advertisement
Cited By
Related Articles
Multicultural Education in Nigeria
Daedalus (November,2024)
Louisa May Alcott as Poet: Transcendentalism and the Female Artist
The New England Quarterly (June,2017)
Family and Fortune: Louisa May Alcott, Inheritance, and the Legacy of Aunts
The New England Quarterly (March,2020)
A History of the Republic of Biafra: Law, Crime, and the Nigerian Civil War by Samuel Fury Childs Daly
The Journal of Interdisciplinary History (June,2022)
Related Book Chapters
Introduction: Curating Transactional Things
Paid: Tales of Dongles, Checks, and Other Money Stuff
Life.science.art: Curating the Book of Life
Tactical Biopolitics: Art, Activism, and Technoscience
Curating Art’s Work in the Age of Biotechnology
Art, Science, and the Politics of Knowledge
Experimental Interruptions: Curating Sensing Spaces
Transit Life: How Commuting Is Transforming Our Cities