Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa at the Block Museum of Art was a cultural tour de force, showcasing more than 250 objects that reframed how visitors look at objects globally from the eighth through the sixteenth centuries and places Africa at the center rather than the peripheries of history and economics. Caravans sought to retool the popular stereotypical historical metanarrative of “medieval” that conjures images of knights at round tables, famines, or a European Renaissance in the making. Juxtaposing archaeological fragments alongside astonishing intact artworks sourced from West and North Africa, the Middle East and Europe, this exhibition told a story of a global network of exchange that coincided with the spread of Islam, rather than Christianity, and was driven by gold, salt, and enslaved bodies. Posing new questions to refocus our attention on and understanding of the meaning of “medieval”...
Skip Nav Destination
Article navigation
Spring 2020
January 01 2020
Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa
Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa
curated by Kathleen
Bickford
Berzock Block Museum of Art
, Northwestern University
January 26-July 21, 2019
Amanda M. Maples
Amanda M. Maples
Amanda M. Maples joined the North Carolina Museum of Art as its first full-time Curator of African Art in 2018. She previously was a curatorial fellow in African and Indigenous American Arts at Stanford University's Cantor Arts Center and also served in curatorial and scholarly capacities at the Yale University Art Gallery, the National Museum of African Art, the High Desert Museum, and University of California Berkeley's Hearst Museum of Anthropology. She has written on historical and contemporary African arts, museum policies and collecting practices. amanda.maples@ncdcr.gov
Search for other works by this author on:
Amanda M. Maples
Amanda M. Maples joined the North Carolina Museum of Art as its first full-time Curator of African Art in 2018. She previously was a curatorial fellow in African and Indigenous American Arts at Stanford University's Cantor Arts Center and also served in curatorial and scholarly capacities at the Yale University Art Gallery, the National Museum of African Art, the High Desert Museum, and University of California Berkeley's Hearst Museum of Anthropology. She has written on historical and contemporary African arts, museum policies and collecting practices. amanda.maples@ncdcr.gov
Online ISSN: 1937-2108
Print ISSN: 0001-9933
© 2020 by the Regents of the University of California.
2020
The Regents of the University of California
African Arts (2020) 53 (1): 89–93.
Citation
Amanda M. Maples; Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa. African Arts 2020; 53 (1): 89–93. doi: https://doi.org/10.1162/afar_r_00520
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
148
Views
Advertisement
Cited By
Related Articles
Caravans of Gold, Fragments in Time: Art, Culture, and Exchange Across Medieval Saharan Africa
African Arts (August,2020)
Early African Ivories: The Ghana Cluster
African Arts (May,2022)
Cloth is Money: Textiles from the Sahel
African Arts (December,2022)
Fictional States & Atomized Public Spheres: A Non-Western Approach to Fragility
Daedalus (October,2017)
Related Book Chapters
Theme / Gold
Frank Lloyd Wright versus America: The 1930s
Fragments of Time
Subjective Time: The Philosophy, Psychology, and Neuroscience of Temporality
The New Interlinkages and Fragmentations
Global Environmental Governance Reconsidered
Foreword: Fragments as Monument
Writing and Unwriting (Media) Art History: Erkki Kurenniemi in 2048