Hamad bin Muḥammad al-Murjabī (c. 1832–1905), more commonly known as Tippu Tip, was a (in)famous slave trader from the Swahili coast who worked along a broad stretch of land reaching into what is now the Democratic Republic of the Congo. Between 1884 and 1889 he developed a friendship with Herbert Ward, an English artist and adventurer working in the service of King Leopold II of Belgium. In 1889, Tippu Tip and Ward encountered each other for the last time before Ward's return to England. Upon Ward's request, Tippu Tip removed his wooden clogs, a special type known as mitawanda (sg. mtawanda) and gave them to Ward as a parting “souvenir” (Ward 1927: 108). To mark the occasion, Tippu Tip wrote a short inscription in Arabic on each stating “I have made a gift of this sandal to my friend Mister Ward of the English government” (Figs....
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Autumn 2020
August 01 2020
Fetishizing the Foot: Mobility and Meaning in Indian Ocean Sandals
Jenny Peruski
Jenny Peruski
Jenny Peruski is a doctoral student at Harvard University. She studies Islamic artistic practices in global east Africa. She is especially interested in material exchanges between central and eastern Africa, the Arabian Peninsula, and South Asia. [email protected]
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Jenny Peruski
Jenny Peruski is a doctoral student at Harvard University. She studies Islamic artistic practices in global east Africa. She is especially interested in material exchanges between central and eastern Africa, the Arabian Peninsula, and South Asia. [email protected]
Online ISSN: 1937-2108
Print ISSN: 0001-9933
© 2020 by the Regents of the University of California.
2020
The Regents of the University of California
African Arts (2020) 53 (3): 58–71.
Citation
Jenny Peruski; Fetishizing the Foot: Mobility and Meaning in Indian Ocean Sandals. African Arts 2020; 53 (3): 58–71. doi: https://doi.org/10.1162/afar_a_00538
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