After a hiatus from museums during the pandemic, I was grateful for the opportunity to return to the galleries with a visit to the Fitchburg Art Museum (FAM) for the exhibition Cloth is Money: Textiles from the Sahel. Entering the museum's atrium, I was greeted by an expansive Fulani arkilla jenngo spread across the wall of a nearby alcove (Fig. 1). With its dynamic checkered design and bold contrasting colors, the striking ceremonial tent hanging offered a tantalizing hint to the lush array of textiles to come later in the main gallery space. Drawn entirely from the museum's extensive holdings of African art, Cloth is Money featured ten works of twentieth and twenty-first century textiles from the Sahel, a region that comprises the geographic transition zone between North and sub-Saharan Africa. Placed within a hallway gallery connecting the building's two wings, the exhibition was curated by Jean...
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Summer 2022
December 01 2022
Cloth is Money: Textiles from the Sahel
Cloth is Money: Textiles from the Sahel
curated by Jean
Borgatti
Fitchburg Art Museum
Fitchburg, MA
October 10, 2020-June 6, 2021
Morgan Snoap
Morgan Snoap
Morgan Snoap is a PhD student in the Department of History of Art & Architecture at Boston University. Her research interests focus on North African textiles with an emphasis on women's roles in creating and wearing woven garments. msnoap@bu.edu
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Morgan Snoap
Morgan Snoap is a PhD student in the Department of History of Art & Architecture at Boston University. Her research interests focus on North African textiles with an emphasis on women's roles in creating and wearing woven garments. msnoap@bu.edu
Online Issn: 1937-2108
Print Issn: 0001-9933
© 2022 by the Regents of the University of California
2022
Regents of the University of California
African Arts (2022) 55 (4): 82–83.
Citation
Morgan Snoap; Cloth is Money: Textiles from the Sahel. African Arts 2022; 55 (4): 82–83. doi: https://doi.org/10.1162/afar_r_00684
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