A conservators’ first step is to examine the materials, construction, and cultural context of artifacts. This ensures a full understanding of the objects, allowing us to consider any ethical implications of our work prior to any potential treatment. This is also one of the first ideas that we teach to aspiring conservators. To facilitate this, in early 2020, Bryn Mawr College loaned four toys constructed primarily from colorful flip-flop sandals to the University of Delaware for use in an undergraduate-level course in art conservation. The course centered on learning how to document artifacts, studying materials used in the manufacture of art, and recognizing condition issues. The flip-flop toys provided rich material for investigating each of these areas and challenged students to capture these complicated structures in a report. Furthermore, the students were tasked with putting these artifacts into context. Although they were resourceful in finding references about the artist, it...

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