Kanga cloths have been central to the lives of east Africans for over a century, serving primarily as affordable wrappers for the majority of women. Existing scholarship on kanga design has focused on the communicative potential of texts on these affordable, printed cloths (Yahya-Othman 1997; Beck 2000, 2001, 2005; Parkin 2000, 2003; Ong'oa-Morara 2014). Discussions of design are largely anecdotal and do not chronicle change over time (Trillo 1984; Amory 1985; Spring 2005; Zawawi 2005; Bijl 2006; Ong'oa-Morara 2014). This essay utilizes over 5,000 examples of full-cloth kanga cloth, chronicling the design and production of Vlisco, the Dutch textile printer in Helmond, the Netherlands (Figs. 1a–b). Specific regional demands, changing text script, and innovations such as commemorative, advertising, and overtly political kanga can be dated. Women's unceasing demand for new designs is often...

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