In Kinshasa, in 2023, the topic that kept coming up in discussions on everything from the arts to agriculture was how to build a “nonextractivist” economy. Senator Didier Mumengi Tshikudi decried a situation in which a renowned artist such as Chéri Samba had become a “resource” akin to copper and cobalt, mined in the Democratic Republic of the Congo (DRC) and manufactured abroad into a commodity out of reach of most Congolese. In responding to these concerns, the artists’ collective, Mission Impossible, was founded in 2022 by Syntyche Mbembo, Christian Kakesse, and Stanis Mbwanga as a creative “laboratory” to take control of the display of their own works. They identify with Felwine Sarr's challenge for young Africans to “expand the field of what is possible and to design an African utopia, at once political, cultural, economic, and ecological” (Sarr in Douce 2018, quoted in part in the wall text)....
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Autumn 2024
September 01 2024
Alternative curated by Jean Kamba Unavailable
Alternative
curated by Jean
Kamba
June 17-July 22, 2023 Mission Impossible Studio (Sis, 158. Bukaka, C/Bandalungwa, Kinshasa, Democratic Republic of the Congo)
Z.S. Strother
Z.S. Strother
Z.S. Strother is Riggio Professor of African Art, Columbia University and author of Humor and Violence: Seeing Europeans in Central African Art (Indiana University Press, 2016). [email protected]
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Z.S. Strother
Z.S. Strother is Riggio Professor of African Art, Columbia University and author of Humor and Violence: Seeing Europeans in Central African Art (Indiana University Press, 2016). [email protected]
Online ISSN: 1937-2108
Print ISSN: 0001-9933
© 2024 by the Regents of the University of California
2024
Regents of the University of California
African Arts (2024) 57 (3): 84–87.
Citation
Z.S. Strother; Alternative curated by Jean Kamba. African Arts 2024; 57 (3): 84–87. doi: https://doi.org/10.1162/afar_r_00777
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