In 2004, Africa Remix: Contemporary Art of a Continent opened at Museum Kunstpalast in Düsseldorf and then went on a three-year tour, travelling to London, Paris, Tokyo, Stockholm, and finally Johannesburg. Curated at large by Simon Njami, the exhibition showcased the work of more than eighty artists from twenty-three countries created in the previous ten years.1Africa Remix was staged off the back of a decade that had witnessed the globalization of the artworld and the emergence of the category of “contemporary African art.”2 Several landmark exhibitions were organized in this decade, such as Susan Vogel's Africa Explores (1991) and Okwui Enwezor and Octavio Zaya's In/Sight: African Photographers 1950 to Present (1996), to prove that indeed the continent was a site of modern and contemporary art production. If these earlier exhibitions were staged at a moment in time when modern and contemporary African art was being introduced to...

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