Skip Nav Destination
Article navigation
September 01 2012
Coming to Terms with Heritage: Kuba Ndop and the Art School of Nsheng
Elisabeth L. Cameron
Elisabeth L. Cameron
Elisabeth L. Cameron is the Patricia and Rowland Rebele Chair in the History of Art and Visual Culture, University of California at Santa Cruz. She is author of Isn't S/He a Doll: Play and Ritual in African Sculpture (1996) and Art of the Lega (2001). [email protected].
Search for other works by this author on:
Elisabeth L. Cameron
Elisabeth L. Cameron is the Patricia and Rowland Rebele Chair in the History of Art and Visual Culture, University of California at Santa Cruz. She is author of Isn't S/He a Doll: Play and Ritual in African Sculpture (1996) and Art of the Lega (2001). [email protected].
Online ISSN: 1937-2108
Print ISSN: 0001-9933
© 2012 by the Regents of the University of California.
2012
African Arts (2012) 45 (3): 28–41.
Citation
Elisabeth L. Cameron; Coming to Terms with Heritage: Kuba Ndop and the Art School of Nsheng. African Arts 2012; 45 (3): 28–41. doi: https://doi.org/10.1162/AFAR_a_00009
Download citation file:
Email alerts
Advertisement
Cited By
Related Articles
The Armchair Traveler: Küba on the Move
TDR/The Drama Review (September,2011)
Heroic Africans: Legendary Leaders, Iconic Sculptures
African Arts (March,2012)
Iconoclash in the Age of Heritage
African Arts (September,2012)
From Context to Text: African Arts and Photography, 1967–2017
African Arts (March,2017)
Related Book Chapters
The Heritage
The Rise of Political Economy as a Science: Methodology and the Classical Economists
Cultural Heritage and Virtual Systems
Theorizing Digital Cultural Heritage: A Critical Discourse
Heritage
The Warcraft Civilization: Social Science in a Virtual World
Jerusalem: A Heritage
The Harvard Jerusalem Studio: Urban Designs for the Holy City