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September 01 2012
Coming to Terms with Heritage: Kuba Ndop and the Art School of Nsheng
Elisabeth L. Cameron
Elisabeth L. Cameron
Elisabeth L. Cameron is the Patricia and Rowland Rebele Chair in the History of Art and Visual Culture, University of California at Santa Cruz. She is author of Isn't S/He a Doll: Play and Ritual in African Sculpture (1996) and Art of the Lega (2001). ecameron@ucsc.edu.
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Elisabeth L. Cameron
Elisabeth L. Cameron is the Patricia and Rowland Rebele Chair in the History of Art and Visual Culture, University of California at Santa Cruz. She is author of Isn't S/He a Doll: Play and Ritual in African Sculpture (1996) and Art of the Lega (2001). ecameron@ucsc.edu.
Online ISSN: 1937-2108
Print ISSN: 0001-9933
© 2012 by the Regents of the University of California.
2012
African Arts (2012) 45 (3): 28–41.
Citation
Elisabeth L. Cameron; Coming to Terms with Heritage: Kuba Ndop and the Art School of Nsheng. African Arts 2012; 45 (3): 28–41. doi: https://doi.org/10.1162/AFAR_a_00009
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