Àyàn Àgalú, the man believed to be the first Yorùbá drummer, is regarded as deity, spirit, and ancestor (Euba 1990: 90; Omojola 2012: 16). This tripartite characterization highlights the multiple resonances of Àyàn Àgalú's identity. For some people, he exists as a religious deity, while for many others, he represents an ancestral spirit believed to reside in their drums. Most traditional Yorùbá drummers, however, regard Àyàn Àgalú (or Àyàn) as their progenitor, and view their biological connection to him as validation of their calling as a drummer. The multifocal representation of Àyàn's identity speaks to the dynamic ways in which worshippers, musicians, and even scholars have interpreted his attributes in specific cultural and historical contexts and according to their interests. Multidimensionality is indeed an axiomatic feature of Àyàn's identity. It lays the foundation for (and indeed is predictive of) the diverse and processual ways in which individuals...
The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood that Talks edited by Amanda Villepastour
Bode Omojola is Five College Professor of Music at Mount Holyoke College and the Five College Consortium in the United States. A former Radcliffe Fellow in Musicology at Harvard University, Omojola received his PhD from the University of Leicester, England. He combines academic research with music composition. His opera, Odyssey of a Dream, was premiered in 2018 by the Mount Holyoke Symphony Orchestra and Five College Consortium African opera students. bomojola@mtholyoke.edu.
Bode Omojola is Five College Professor of Music at Mount Holyoke College and the Five College Consortium in the United States. A former Radcliffe Fellow in Musicology at Harvard University, Omojola received his PhD from the University of Leicester, England. He combines academic research with music composition. His opera, Odyssey of a Dream, was premiered in 2018 by the Mount Holyoke Symphony Orchestra and Five College Consortium African opera students. bomojola@mtholyoke.edu.
Bode Omojola; The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood that Talks edited by Amanda Villepastour. African Arts 2020; 53 (3): 93–94. doi: https://doi.org/10.1162/afar_r_00543
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