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Volume 54, Issue 2

Summer 2021

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ISSN 0001-9933

EISSN 1937-2108

In this Issue

first word
dialogue
articles
exhibition review
book reviews

blaxTARLINES

first word

A Quiet Revolution in Arts Education: The Rise of blaxTARLINES Kumasi

Kwaku Boafo Kissiedu, Ruth Simbao

African Arts (2021) 54 (2): 1–5.

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dialogue

Beyond Single Collections

Juliana Ribeiro da Silva Bevilacqua

African Arts (2021) 54 (2): 6.

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Inside History: Seeking Figurative Thinking

Claire Bosc-Tiessé

African Arts (2021) 54 (2): 6–7.

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Facing Toward the Future: How New Categories May Emerge

Mbongiseni Buthelezi

African Arts (2021) 54 (2): 7–8.

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So, What Do We Do Now?

Susan Elizabeth Gagliardi, Yaëlle Biro

African Arts (2021) 54 (2): 8–11.

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articles

Talking, Stuttering, Speaking Whilst Listening Intently for a Promise of Egalitarian Regeneration: A Five-Way Conversation

Bernard Akoi-Jackson, Ibrahim Mahama, Kwasi Ohene-Ayeh, Tracy Naa Koshie Thompson, kąrî’kạchä seid'ou

African Arts (2021) 54 (2): 12–21.

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Transforming Art from Commodity to Gift: kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art

Edwin Bodjawah, Kwaku Boafo Kissiedu (Castro), George Ampratwum (Buma), Kwasi Ohene-Ayeh, Dorothy Amenuke ...

African Arts (2021) 54 (2): 22–35.

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Exposing Something to Someone While Exposing Someone to Something: blaxTARLINES Exhibition Cultures There-Then-And-Hereafter

kąrî’kạchä seid'ou, George Ampratwum (Buma), Kwaku Boafo Kissiedu (Castro), Edwin Bodjawah, Bernard Akoi-Jackson ...

African Arts (2021) 54 (2): 36–51.

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On Stage-Crafting and State-Crafting Beyond Crisis: Ibrahim Mahama's Word and Deed

kąrî’kạchä seid'ou

African Arts (2021) 54 (2): 52–67.

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Back-and-Forth: Cutting Our Coats According to Some Cloths and Other Smaller Things …

Dorothy Akpene Amenuke, Bernard Akoi-Jackson

African Arts (2021) 54 (2): 68–77.

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“Where Shall We Place Our Hope?”: COVID-19 and the Imperiled National Body in South Africa's “Lockdown Collection”

Mark Auslander, Pamela Allara, Kim Berman

African Arts (2021) 54 (2): 78–89.

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exhibition review

Fatimah Tuggar: Home's Horizons

Rebecca Wolff

African Arts (2021) 54 (2): 90–93.

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book reviews

Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s

Alexandra M. Thomas

African Arts (2021) 54 (2): 93–95.

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Picasso's Demoiselles: The Untold Origins of a Modern Masterpiece

Helena Cantone

African Arts (2021) 54 (2): 95–96.

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blaxTARLINES

first word

A Quiet Revolution in Arts Education: The Rise of blaxTARLINES Kumasi

dialogue

Beyond Single Collections

Inside History: Seeking Figurative Thinking

Facing Toward the Future: How New Categories May Emerge

So, What Do We Do Now?

articles

Talking, Stuttering, Speaking Whilst Listening Intently for a Promise of Egalitarian Regeneration: A Five-Way Conversation

Transforming Art from Commodity to Gift: kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art

Exposing Something to Someone While Exposing Someone to Something: blaxTARLINES Exhibition Cultures There-Then-And-Hereafter

On Stage-Crafting and State-Crafting Beyond Crisis: Ibrahim Mahama's Word and Deed

Back-and-Forth: Cutting Our Coats According to Some Cloths and Other Smaller Things …

“Where Shall We Place Our Hope?”: COVID-19 and the Imperiled National Body in South Africa's “Lockdown Collection”

exhibition review

Fatimah Tuggar: Home's Horizons

book reviews

Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s

Picasso's Demoiselles: The Untold Origins of a Modern Masterpiece

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