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Volume 21, Issue 4

August 1988

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ISSN 0001-9933

EISSN 1937-2108

In this Issue

Front Matter

African Arts (1988) 21 (4)

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Back Matter

African Arts (1988) 21 (4)

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First Word

African Arts (1988) 21 (4): 1–10.

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Arnold Rubin: 1937-1988

Marla C. Berns, Herbert M. Cole, Doran H. Ross

African Arts (1988) 21 (4): 12.

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Art of the Dogon: Selections from the Lester Wunderman Collection

African Arts (1988) 21 (4): 14–17.

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Songye Masks and Figure Sculpture

African Arts (1988) 21 (4): 17–21.

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Anthills of the Savannah

African Arts (1988) 21 (4): 21–23.

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Weaving in Africa South of the Sahara

African Arts (1988) 21 (4): 23–26.

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Moving with the Face of the Devil: Art and Politics in Urban West Africa

African Arts (1988) 21 (4): 26–84.

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The Art of the Dogon

Kate Ezra

African Arts (1988) 21 (4): 30–91.

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The Togu na of Tenyu Ireli

Jean-Christophe Huet

African Arts (1988) 21 (4): 34–91.

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Tellem and Dogon Material Culture

R. M. A. Bedaux

African Arts (1988) 21 (4): 38–91.

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The Paulme-Lifchitz Collection at the Musée de l'Homme

Denise Paulme

African Arts (1988) 21 (4): 46–49.

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Ancient Sculpture of the Inland Niger Delta and Its Influence on Dogon Art

Bernard de Grunne

African Arts (1988) 21 (4): 50–92.

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The Boat of the World as a Pendant

Dominique Zahan

African Arts (1988) 21 (4): 56–57.

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Functions of Sculpture in Dogon Religion

Walter E. A. van Beek

African Arts (1988) 21 (4): 58–91.

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Tourism and Social Change among the Dogon

Paul J. Lane

African Arts (1988) 21 (4): 66–92.

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Of Dogon Crooks and Thieves

Allen F. Roberts

African Arts (1988) 21 (4): 70–92.

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Current Events

African Arts (1988) 21 (4): 76–77.

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Art/Artifact: African Art in Anthropology Collections

Francine Farr

African Arts (1988) 21 (4): 78–80.

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Living Traditions: Kate Peck Kent and the Study of Historic Pueblo Textiles

Margot Blum Schevill

African Arts (1988) 21 (4): 80–81.

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The River Shall Never Rest. Transitions in Yoruba Art

Elisabeth L. Cameron

African Arts (1988) 21 (4): 81–82.

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Nigerian Art Patrons

Ulli Beier

African Arts (1988) 21 (4): 82–83.

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Ladislas Segy: 1904-1988

Pascal James Imperato

African Arts (1988) 21 (4): 82.

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Response to Kebede

Cynthia Tse Kimberlin

African Arts (1988) 21 (4): 83.

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Corrigendum: The Hargeisa Provincial Museum

African Arts (1988) 21 (4): 83.

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Pre-Columbian Textiles

Barbara Hail

African Arts (1988) 21 (4): 83.

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Echoes of African Art: A Century of Art in South Africa

African Arts (1988) 21 (4): 84–85.

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Fiumi di Pietra: Archivio della Preistoria Sahariana

African Arts (1988) 21 (4): 85–92.

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Man and His Vision: The Traditional Wood Sculpture of Burkino Faso

African Arts (1988) 21 (4): 87–88.

Abstract

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Who'd a Thought It: Improvisation in African-American Quiltmaking

African Arts (1988) 21 (4): 88.

Abstract

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Faces, Voices and Dreams: A Celebration of the Centennial of the Sheldon Jackson Museum Sitka, Alaska 1888-1988

African Arts (1988) 21 (4): 88–89.

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New Publications

African Arts (1988) 21 (4): 89–90.

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Front Matter

Back Matter

First Word

Arnold Rubin: 1937-1988

Art of the Dogon: Selections from the Lester Wunderman Collection

Songye Masks and Figure Sculpture

Anthills of the Savannah

Weaving in Africa South of the Sahara

Moving with the Face of the Devil: Art and Politics in Urban West Africa

The Art of the Dogon

The Togu na of Tenyu Ireli

Tellem and Dogon Material Culture

The Paulme-Lifchitz Collection at the Musée de l'Homme

Ancient Sculpture of the Inland Niger Delta and Its Influence on Dogon Art

The Boat of the World as a Pendant

Functions of Sculpture in Dogon Religion

Tourism and Social Change among the Dogon

Of Dogon Crooks and Thieves

Current Events

Art/Artifact: African Art in Anthropology Collections

Living Traditions: Kate Peck Kent and the Study of Historic Pueblo Textiles

The River Shall Never Rest. Transitions in Yoruba Art

Nigerian Art Patrons

Ladislas Segy: 1904-1988

Response to Kebede

Corrigendum: The Hargeisa Provincial Museum

Pre-Columbian Textiles

Echoes of African Art: A Century of Art in South Africa

Fiumi di Pietra: Archivio della Preistoria Sahariana

Man and His Vision: The Traditional Wood Sculpture of Burkino Faso

Who'd a Thought It: Improvisation in African-American Quiltmaking

Faces, Voices and Dreams: A Celebration of the Centennial of the Sheldon Jackson Museum Sitka, Alaska 1888-1988

New Publications

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