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Issues

Volume 44, Issue 4
Winter 2011
African Arts Cover Image for Volume 44, Issue 4
All Issues
ISSN 0001-9933
EISSN 1937-2108

first word

Introducing jOSS
Leslie Ellen Jones
African Arts (2011) 44 (4): 1.
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in memoriam

The Elephant Lies Down Like a Hill: Tribute to Ulli Beier, 1922–2011
Rowland Abiodun
African Arts (2011) 44 (4): 4–7.
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articles

Objects of Desire: Shopping for Identity and the Meaning of Africa at the Harlem Market
Zain Abdullah
African Arts (2011) 44 (4): 8–21.
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Bruce Onobrakpeya and the Harmattan Workshop: Artistic Experimentation in the Niger Delta
Janet Stanley
African Arts (2011) 44 (4): 22–35.
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Greenlaw's Suakin: The Limits of Architectural Representation and the Continuing Lives of Buildings in Coastal Sudan
Nancy Um
African Arts (2011) 44 (4): 36–51.
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Dance, Image, Myth, and Conversion in the Kingdom of Kongo, 1500–1800
Cécile Fromont
African Arts (2011) 44 (4): 52–63.
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dancing identity: gregory maqoma's beautiful me

Dancing Identity: Gregory Maqoma's Beautiful Me
Gregory Maqoma, Catherine M. Cole, Mary (Polly) Nooter Roberts
African Arts (2011) 44 (4): 64–65.
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Identity, Diversity, and Modernity in an Urban Cultural Cocktail
Gregory Maqoma
African Arts (2011) 44 (4): 66–71.
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Beautiful Me/We: Gregory Maqoma and Ubuntu
Catherine M. Cole
African Arts (2011) 44 (4): 72–75.
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Memory and Identity at the Threshold in Gregory Maqoma's Beautiful Me
Mary (Polly) Nooter Roberts
African Arts (2011) 44 (4): 76–81.
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exhibition reviews

Man Ray, African Art, and the Modernist Lens
African Arts (2011) 44 (4): 82–83.
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Africa Interweave—Textile Diasporas
African Arts (2011) 44 (4): 84–86.
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When I Last Wrote to You About Africa
African Arts (2011) 44 (4): 87–89.
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book reviews

Ousmane Sembène: The Making of a Militant Artist
African Arts (2011) 44 (4): 90.
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The Beautiful Time: Photography by Sammy Baloji
African Arts (2011) 44 (4): 91.
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Zulu Basketry
African Arts (2011) 44 (4): 92.
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Representing Africa in American Art Museums: A Century of Collecting and Display
African Arts (2011) 44 (4): 93–94.
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African Film: New Forms of Aesthetics and Politics
African Arts (2011) 44 (4): 94–95.
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