Skip to Main Content

Advertisement

MIT Press Direct, home Open Menu
header search
Search
Advanced Search
Skip Nav Destination

Issues

Volume 46, Issue 4
Winter 2013
African Arts Cover Image for Volume 46, Issue 4
All Issues
ISSN 0001-9933
EISSN 1937-2108

first word

Museum as Twenty-first Century Memory Theater: The Arts of Africa at LACMA
Mary (Polly) Nooter Roberts
African Arts (2013) 46 (4): 1–4.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

in memoriam

Jacques Jerome Maquet 1919–2013
Merrick Posnansky
African Arts (2013) 46 (4): 4–5.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

dialogue

The Sliding Scale of Past and Present
Till Förster
African Arts (2013) 46 (4): 6.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
On Political Terms
Dominique Malaquais
African Arts (2013) 46 (4): 6.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
African Art Studies: Are They No Longer Taking the Paths Less Traveled?
Simon Ottenberg
African Arts (2013) 46 (4): 7.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

articles

Looking for Africa in Carl Einstein's Negerplastik
Z.S. Strother
African Arts (2013) 46 (4): 8–21.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Art and/or Ethnographica?: The Reception of Benin Works from 1897–1935
Kathryn Wysocki Gunsch
African Arts (2013) 46 (4): 22–31.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Spectres of the Original and the Liberties of Repetition
Leora Maltz-Leca
African Arts (2013) 46 (4): 32–45.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Masquerades as the Public Face: Art of Contemporary Hunters' Associations in Western Burkina Faso
Susan Elizabeth Gagliardi
African Arts (2013) 46 (4): 46–59.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
The Figurative Palanquins of the Ga: History and Significance
Regula Tschumi, Michael Foster
African Arts (2013) 46 (4): 60–73.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Kongo across the Waters
Susan Cooksey, Robin Poynor, Hein Vanhee
African Arts (2013) 46 (4): 74–87.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

exhibition reviews

African Art, New York, and the Avant-Garde
African Arts (2013) 46 (4): 88–89.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Wangechi Mutu: A Fantastic Journey
African Arts (2013) 46 (4): 90–93.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Encounters: The Arts of Africa
African Arts (2013) 46 (4): 93–95.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

book review

Inventing Africa: History, Archaeology and Ideas
African Arts (2013) 46 (4): 95–96.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 1937-2108
  • Print ISSN 0001-9933
A product of The MIT Press
Newsletter sign up

MIT Press Direct

Information

MIT Press

Contact Us

© 2025 The MIT Press
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept