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Issues

Volume 49, Issue 3
Fall 2016
African Arts Cover Image for Volume 49, Issue 3
All Issues
ISSN 0001-9933
EISSN 1937-2108
In this Issue

first word

On Shared Heritage and Its (False) Promises
Hein Vanhee
African Arts (2016) 49 (3): 1–7.
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articles

“The Models for Africa”: Accra's Independence-Era Fashion Culture and the Creations of Chez Julie
Christopher Richards
African Arts (2016) 49 (3): 8–21.
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The Kongo Cross Across Centuries
Geoffroy Heimlich
African Arts (2016) 49 (3): 22–31.
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The Materiality of Cement in the Cultural Matrix of the Middle Cross River Region
Gitti Salami
African Arts (2016) 49 (3): 32–47.
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Okpo Ekak: Paradox of Passion and Individuality among the Efik
Onyile Bassey Onyile
African Arts (2016) 49 (3): 48–61.
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By Iron Possessed: Fabrice Monteiro's Maroons: The Fugitive Slaves
Mark Auslander
African Arts (2016) 49 (3): 62–67.
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The African Art Collection at the Samuel P. Harn Museum of Art, University of Florida
Susan Cooksey
African Arts (2016) 49 (3): 68–83.
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exhibition reviews

All the World's Futures: The 55th Venice Biennale
African Arts (2016) 49 (3): 84–85.
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All the World's Futures: The 55th Venice Biennale
African Arts (2016) 49 (3): 86–87.
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Anya Fulu Ugo: Exhibition in Honor of El Anatsui and Obiora Udechukwu
African Arts (2016) 49 (3): 87–89.
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Royals & Regalia: Inside the Palaces of Nigeria's Monarchs: Recent Photographs by George Osodi
African Arts (2016) 49 (3): 90–92.
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book reviews

Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature, and Film
African Arts (2016) 49 (3): 92–93.
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Zulu Beer Vessels in the Twentieth Century: Their History, Classification, and Geographical Distribution
African Arts (2016) 49 (3): 94–95.
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La dynamique des masques en Afrique occidentale/Dynamics of Masks in West Africa
African Arts (2016) 49 (3): 95–96.
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