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Volume 50, Issue 4
Winter 2017
Issue Cover
All Issues
ISSN 0001-9933
EISSN 1937-2108

African Art Histories' Futures

first word

Future Thinking: Propositions and Possibilities for African Art History
Lisa Homann, Carol Magee, Victoria L. Rovine
African Arts (2017) 50 (4): 1–5.
View articletitled, Future Thinking: Propositions and Possibilities for African Art History
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articles

Toward Data-driven Art Studies: A Social Network Analysis of Contemporary African Art
Olivier Marcel
African Arts (2017) 50 (4): 6–11.
View articletitled, Toward Data-driven Art Studies: A Social Network Analysis of Contemporary African Art
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Methods, Making, and West African Influences in the Work of Fatimah Tuggar
Fatimah Tuggar
African Arts (2017) 50 (4): 12–17.
View articletitled, Methods, Making, and West African Influences in the Work of Fatimah Tuggar
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Afrofuturism and the Technologies of Survival
Elizabeth C. Hamilton
African Arts (2017) 50 (4): 18–23.
View articletitled, Afrofuturism and the Technologies of Survival
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Provocative Acts and Censorial Revisions: The Many Antagonisms of Amal Kenawy's The Silence of Lambs
Dan Jakubowski
African Arts (2017) 50 (4): 24–33.
View articletitled, Provocative Acts and Censorial Revisions: The Many Antagonisms of Amal Kenawy's <em>The Silence of Lambs</em>
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Sustainable Futures: Ekpenyong Bassey Nsa and the Study of Traditional-Based African Artists
Jordan A. Fenton
African Arts (2017) 50 (4): 34–45.
View articletitled, Sustainable Futures: Ekpenyong Bassey Nsa and the Study of Traditional-Based African Artists
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exhibition previews

Room to Grow: Re-Installing the NCMA Permanent Collection
Elizabeth Perrill, Katherine Mpeshi McKee, Carlee Forbes, Laurel Kilgore
African Arts (2017) 50 (4): 46–61.
View articletitled, Room to Grow: Re-Installing the NCMA Permanent Collection
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A History Shaped by Futures Past: Art, Artists, and the Dialogic Turn at the Smithsonian National Museum of African Art
Karen E. Milbourne
African Arts (2017) 50 (4): 62–73.
View articletitled, A History Shaped by Futures Past: Art, Artists, and the Dialogic Turn at the Smithsonian National Museum of African Art
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exhibition reviews

The Ease of Fiction: Contemporary Art Museum of Raleigh, Raleigh, NC March 3–June 19, 2016
Sarah Molina
African Arts (2017) 50 (4): 74–76.
View articletitled, The Ease of Fiction: Contemporary Art Museum of Raleigh, Raleigh, NC March 3–June 19, 2016
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Focus: African Perspectives: The Armory, New York March 3–6, 2016
Yesomi Umolu
African Arts (2017) 50 (4): 76–77.
View articletitled, Focus: African Perspectives: The Armory, New York March 3–6, 2016
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Kemang Wa Lehulere: In All My Wildest Dreams: Art Institute of Chicago October 27, 2016–January 16, 2017
Caitlin Swindell
African Arts (2017) 50 (4): 78–80.
View articletitled, Kemang Wa Lehulere: In All My Wildest Dreams: Art Institute of Chicago October 27, 2016–January 16, 2017
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Origins of the Afro Comb: 6,000 Years of Culture, Politics, and Identity: The Fitzwilliam Museum University of Cambridge July 2–November 3, 2013
Jeremy Coote
African Arts (2017) 50 (4): 80–82.
View articletitled, Origins of the Afro Comb: 6,000 Years of Culture, Politics, and Identity: The Fitzwilliam Museum University of Cambridge July 2–November 3, 2013
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Susan Woolf: Taxi Hand Signs: South African Jewish Museum Cape Town, South Africa July 10–September 5, 2016
Pamela Allara
African Arts (2017) 50 (4): 82–84.
View articletitled, Susan Woolf: Taxi Hand Signs: South African Jewish Museum Cape Town, South Africa July 10–September 5, 2016
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Urban Now: City Life in Congo: WIELS Contemporary Art Centre Brussels May 8–August 14, 2016
Dominique Malaquais, Jean-Christophe Lanquetin
African Arts (2017) 50 (4): 85–87.
View articletitled, Urban Now: City Life in Congo: WIELS Contemporary Art Centre Brussels May 8–August 14, 2016
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Diagram of the Heart Museum of Contemporary African Diasporan Arts, Brooklyn, New York November 18, 2016–February 26, 2017
Tashima Thomas
African Arts (2017) 50 (4): 88–90.
View articletitled, Diagram of the Heart Museum of Contemporary African Diasporan Arts, Brooklyn, New York November 18, 2016–February 26, 2017
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book reviews

Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice
Matthew Francis Rarey, Jr.
African Arts (2017) 50 (4): 90–92.
View articletitled, Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice
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Visions from the Forests: The Art of Liberia and Sierra Leone
Javier López Piñón
African Arts (2017) 50 (4): 92–93.
View articletitled, Visions from the Forests: The Art of Liberia and Sierra Leone
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Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria
Francine Kola-Bankole
African Arts (2017) 50 (4): 93–94.
View articletitled, Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria
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Photography of Personal Adornment: Photographic Techniques for Jewelry/Artwear, Craftspeople, Researchers, Scholars and Museum/Gallery Staff
Judy Peter
African Arts (2017) 50 (4): 94–95.
View articletitled, Photography of Personal Adornment: Photographic Techniques for Jewelry/Artwear, Craftspeople, Researchers, Scholars and Museum/Gallery Staff
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