Skip to Main Content

Advertisement

MIT Press Direct, home
header search
Search
Advanced Search
Skip Nav Destination

Issues

Volume 51, Issue 4
Winter 2018
Issue Cover
All Issues
ISSN 0001-9933
EISSN 1937-2108
In this Issue

first word

Art for Sale: Covering the Contemporary, Courting the Commercial
Evelyn Owen
African Arts (2018) 51 (4): 1–4.
View articletitled, Art for Sale: Covering the Contemporary, Courting the Commercial
Open the PDF for in another window

dialogue

Are Biennials the Solution or the Problem for African Art's Global Reach?
Sidney Kasfir
African Arts (2018) 51 (4): 5–6.
View articletitled, Are Biennials the Solution or the Problem for African Art's Global Reach?
Open the PDF for in another window

erratum

Erratum
African Arts (2018) 51 (4): 6.
View articletitled, Erratum
Open the PDF for in another window

articles

Producing, Collecting, and Exhibiting Bizango Sculptures from Haiti: Transatlantic Vodou on the International Art Scene
Catherine Benoît, André Delpuech
African Arts (2018) 51 (4): 8–19.
View articletitled, Producing, Collecting, and Exhibiting Bizango Sculptures from Haiti: Transatlantic Vodou on the International Art Scene
Open the PDF for in another window
Assemblage, Occlusion, and the Art of Survival in the Black Atlantic
Matthew Francis Rarey
African Arts (2018) 51 (4): 20–33.
View articletitled, Assemblage, Occlusion, and the Art of Survival in the Black Atlantic
Open the PDF for in another window
Art of Central Africa at the Indianapolis Museum of Art
Constantine Petridis, Kirstin Krause Gotway
African Arts (2018) 51 (4): 34–47.
View articletitled, Art of Central Africa at the Indianapolis Museum of Art
Open the PDF for in another window
Crosses from Ethiopia at the Dallas Museum of Art: An Overview
Jacopo Gnisci
African Arts (2018) 51 (4): 48–55.
View articletitled, Crosses from Ethiopia at the Dallas Museum of Art: An Overview
Open the PDF for in another window
An Arresting Portrayal: Marco Cianfanelli's Release at the Nelson Mandela Capture Site
Brenda Schmahmann
African Arts (2018) 51 (4): 56–69.
View articletitled, An Arresting Portrayal: Marco Cianfanelli's <em>Release</em> at the Nelson Mandela Capture Site
Open the PDF for in another window
Of Milk Pots and Cattle Keepers: Style and Role Changes of the Inkongoro in Nyagatare District, Rwanda
Karangwa Isaie, Rutikanga Emmanuel, Philip Fry
African Arts (2018) 51 (4): 70–85.
View articletitled, Of Milk Pots and Cattle Keepers: Style and Role Changes of the <em>Inkongoro</em> in Nyagatare District, Rwanda
Open the PDF for in another window

exhibition reviews

documenta 14: Learning from Athens
African Arts (2018) 51 (4): 86–88.
View articletitled, documenta 14: Learning from Athens
Open the PDF for in another window
documenta 14: Learning from Athens
African Arts (2018) 51 (4): 89–91.
View articletitled, documenta 14: Learning from Athens
Open the PDF for in another window
Picasso Primitif
African Arts (2018) 51 (4): 92–94.
View articletitled, Picasso Primitif
Open the PDF for in another window

book reviews

Congo Art Works: Popular Painting
Sarah Van Beurden
African Arts (2018) 51 (4): 94–96.
View articletitled, Congo Art Works: Popular Painting
Open the PDF for in another window
Scorched Earth: 100 Years of Southern African Potteries
African Arts (2018) 51 (4): 96.
View articletitled, Scorched Earth: 100 Years of Southern African Potteries
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 1937-2108
  • Print ISSN 0001-9933
A product of The MIT Press
Newsletter Sign Up

MIT Press Direct

Information

MIT Press

Contact Us

© 2023 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept