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Volume 52, Issue 1
Spring 2019
Issue Cover
All Issues
ISSN 0001-9933
EISSN 1937-2108

How Masks Travel: Aesthetics, Trade, War, and Authority in Eastern Nigeria

first word

Is Repatriation Inevitable?
Allen F. Roberts
African Arts (2019) 52 (1): 1–7.
View articletitled, Is Repatriation Inevitable?
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dialogue

Restitution: Debate and Action
Dunja Hersak
African Arts (2019) 52 (1): 8–10.
View articletitled, Restitution: Debate and Action
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in memoriam

Barbara Winston Blackmun 1928–2018
Kate Ezra
African Arts (2019) 52 (1): 11–13.
View articletitled, Barbara Winston Blackmun 1928–2018
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articles

How Masks Travel: Aesthetics, Trade, War, and Authority in Eastern Nigeria, an Introduction
Sidney Littlefield Kasfir
African Arts (2019) 52 (1): 15–17.
View articletitled, How Masks Travel: Aesthetics, Trade, War, and Authority in Eastern Nigeria, an Introduction
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Expressive Currencies: Artistic Transactions and Transformations of Warrior-Inspired Masquerades in Calabar
Jordan A. Fenton
African Arts (2019) 52 (1): 18–33.
View articletitled, Expressive Currencies: Artistic Transactions and Transformations of Warrior-Inspired Masquerades in Calabar
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Warrior Masking, Youth Culture, and Gender Roles: Masks and History in Aro Ikeji Festival
Eli Bentor
African Arts (2019) 52 (1): 34–45.
View articletitled, Warrior Masking, Youth Culture, and Gender Roles: Masks and History in Aro Ikeji Festival
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In the Spirit and in the Flesh: Women, Masquerades, and the Cross River
Amanda B. Carlson
African Arts (2019) 52 (1): 46–61.
View articletitled, In the Spirit and in the Flesh: Women, Masquerades, and the Cross River
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Igala's Royal Masks: Borrowed, Invented, or Stolen?
Sidney Littlefield Kasfir
African Arts (2019) 52 (1): 62–71.
View articletitled, Igala's Royal Masks: Borrowed, Invented, or Stolen?
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African Arts at the Princeton University Art Museum
Kristen Windmuller-Luna
African Arts (2019) 52 (1): 72–89.
View articletitled, African Arts at the Princeton University Art Museum
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exhibition reviews

Universal and Sublime: The Vessels of Magdalene Odundo
Haley Jones, Elizabeth Caris
African Arts (2019) 52 (1): 90–91.
View articletitled, Universal and Sublime: The Vessels of Magdalene Odundo
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Urban Cadence: Street Scenes from Lagos and Johannesburg
Andrea Frohne
African Arts (2019) 52 (1): 92–93.
View articletitled, Urban Cadence: Street Scenes from Lagos and Johannesburg
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book reviews

Maternity: Mothers and Children in the Arts of Africa
Lisa Aronson
African Arts (2019) 52 (1): 94–95.
View articletitled, Maternity: Mothers and Children in the Arts of Africa
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The African Burial Ground in New York City: Memory, Spirituality, and Space
Andrew Kettler
African Arts (2019) 52 (1): 95–96.
View articletitled, The African Burial Ground in New York City: Memory, Spirituality, and Space
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  • Online ISSN 1937-2108
  • Print ISSN 0001-9933
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