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Volume 55, Issue 3
Summer 2021
Issue Cover
All Issues
ISSN 0001-9933
EISSN 1937-2108

first word

After All Is Said and Done: On Fluid Solidarity and Survival
Nomusa Makhubu
African Arts (2022) 55 (3): 1–7.
View articletitled, After All Is Said and Done: On Fluid Solidarity and Survival
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dialogues

(In)visibility and African Fashion in UK Museums
Nicola Stylianou
African Arts (2022) 55 (3): 7–8.
View articletitled, (In)visibility and African Fashion in UK Museums
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Practicing Decoloniality
Chepkemboi J. Mang'ira
African Arts (2022) 55 (3): 8–9.
View articletitled, Practicing Decoloniality
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article

Iklan Aesthetics in Niger: Identity and Adornment from Servility to Self-agency
Cynthia J. Becker, Brian Nowak
African Arts (2022) 55 (3): 10–25.
View articletitled, <em>Iklan</em> Aesthetics in Niger: Identity and Adornment from Servility to Self-agency
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research note

“If a Woman Knows Cult Secret, She Must Never Tell”: Ritual Consecration, Secrecy, and Female Power in Egungun Pageantry Among the Yoruba
Bolaji Campbell
African Arts (2022) 55 (3): 26–37.
View articletitled, “If a Woman Knows Cult Secret, She Must Never Tell”: Ritual Consecration, Secrecy, and Female Power in Egungun Pageantry Among the Yoruba
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articles

Archiving the Algerian Revolution in Zineb Sedira's Gardiennes d'images
Katarzyna Falęcka
African Arts (2022) 55 (3): 38–53.
View articletitled, Archiving the Algerian Revolution in Zineb Sedira's <em>Gardiennes d'images</em>
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“Africa's First Woman Press Photographer”: Mabel Cetu's Photographs in Zonk!
Marie Meyerding
African Arts (2022) 55 (3): 54–69.
View articletitled, “Africa's First Woman Press Photographer”: Mabel Cetu's Photographs in <em>Zonk!</em>
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Between African Sculpture and Black Diasporic Experiences: Hugh Hayden and Simone Leigh
Gabriella Nugent
African Arts (2022) 55 (3): 70–83.
View articletitled, Between African Sculpture and Black Diasporic Experiences: Hugh Hayden and Simone Leigh
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exhibition reviews

Aïda Muluneh's Homebound: A Journey in Photography & Addis Foto Fest: Nine Years Survey
Kristen Windmuller-Luna
African Arts (2022) 55 (3): 84–86.
View articletitled, Aïda Muluneh's Homebound: A Journey in Photography &amp; Addis Foto Fest: Nine Years Survey
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100 × Congo: A Century of Congolese Art in Antwerp
Hugo DeBlock
African Arts (2022) 55 (3): 87–90.
View articletitled, 100 × Congo: A Century of Congolese Art in Antwerp
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Khatt Islāmi: Sacred Scripts from Islamic Africa
Elizabeth Sutton
African Arts (2022) 55 (3): 91–93.
View articletitled, Khatt Islāmi: Sacred Scripts from Islamic Africa
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book reviews

Exchanging Symbols: Monuments and Memorials in Post-Apartheid South Africa
Amy Nygaard Mickelson
African Arts (2022) 55 (3): 93–94.
View articletitled, Exchanging Symbols: Monuments and Memorials in Post-Apartheid South Africa
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Media Primitivism: Technological Art in Africa By Delinda Collier
Allison K. Young
African Arts (2022) 55 (3): 95–96.
View articletitled, Media Primitivism: Technological Art in Africa By Delinda Collier
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