Skip to Main Content

Advertisement

MIT Press Direct, home
header search
Search
Advanced Search
Skip Nav Destination

Issues

Volume 55, Issue 4
Summer 2022
Issue Cover
All Issues
ISSN 0001-9933
EISSN 1937-2108
In this Issue

first word

New Masks, New Meanings: Covid Perspectives on African Art History: Part 1: Behind The Mask: African Art History in a Pandemic Era
Victoria L. Rovine
African Arts (2022) 55 (4): 1–4.
View articletitled, New Masks, New Meanings: Covid Perspectives on African Art History: Part 1: Behind The Mask: African Art History in a Pandemic Era
Open the PDF for in another window
New Masks, New Meanings: Covid Perspectives on African Art History: Part 2: Coups, Pandemics, and Careers in African Art History
Lisa Homann
African Arts (2022) 55 (4): 4–5.
View articletitled, New Masks, New Meanings: Covid Perspectives on African Art History: Part 2: Coups, Pandemics, and Careers in African Art History
Open the PDF for in another window

articles

Carnival in Africa: Join the Party!
Amanda Carlson, Courtnay Micots
African Arts (2022) 55 (4): 6–17.
View articletitled, Carnival in Africa<span class="subtitle-colon">: </span><span class="subtitle">Join the Party!</span>
Open the PDF for in another window
Carnival and the Theme of Migration: A Designer's Perspective
Umana Nnochiri
African Arts (2022) 55 (4): 18–31.
View articletitled, Carnival and the Theme of Migration<span class="subtitle-colon">: </span><span class="subtitle">A Designer's Perspective</span>
Open the PDF for in another window
Calabar Carnival: Visualizing Cultural Authenticity and the Paradigm of the Street
Nsima Stanislaus Udo
African Arts (2022) 55 (4): 32–41.
View articletitled, Calabar Carnival<span class="subtitle-colon">: </span><span class="subtitle">Visualizing Cultural Authenticity and the Paradigm of the Street</span>
Open the PDF for in another window
The Ritual Solidarity of Masked Processions in Calabar, Cameroon, and Cuba
Ivor L. Miller
African Arts (2022) 55 (4): 42–53.
View articletitled, The Ritual Solidarity of Masked Processions in Calabar, Cameroon, and Cuba
Open the PDF for in another window
Dancing Altars: Carnivalesque Performance in a Festival in Togo
Elyan Jeanine Hill
African Arts (2022) 55 (4): 54–67.
View articletitled, Dancing Altars<span class="subtitle-colon">: </span><span class="subtitle">Carnivalesque Performance in a Festival in Togo</span>
Open the PDF for in another window
Power and Play: Fancy Dress Carnival in Ghana
Courtnay Micots
African Arts (2022) 55 (4): 68–81.
View articletitled, Power and Play<span class="subtitle-colon">: </span><span class="subtitle">Fancy Dress Carnival in Ghana</span>
Open the PDF for in another window

exhibition reviews

Cloth is Money: Textiles from the Sahel
Morgan Snoap
African Arts (2022) 55 (4): 82–83.
View articletitled, Cloth is Money: Textiles from the Sahel
Open the PDF for in another window
Moth to Cloth: Silk in Africa
Lesli Robertson
African Arts (2022) 55 (4): 84–85.
View articletitled, Moth to Cloth: Silk in Africa
Open the PDF for in another window
Photo Cameroon: Studio Portraiture, 1970s-1990s
Leslie W. Rabine
African Arts (2022) 55 (4): 86–89.
View articletitled, Photo Cameroon: Studio Portraiture, 1970s-1990s
Open the PDF for in another window

book reviews

Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition
Henry John Drewal
African Arts (2022) 55 (4): 90–91.
View articletitled, Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition
Open the PDF for in another window
TEXTURES: The History and Art of Black Hair
Michelle Turner
African Arts (2022) 55 (4): 92–93.
View articletitled, TEXTURES: The History and Art of Black Hair
Open the PDF for in another window
PLAN B, a Gathering of Strangers (or) This Is Not Working by Goldendean
Fiona Siegenthaler
African Arts (2022) 55 (4): 93–94.
View articletitled, PLAN B, a Gathering of Strangers (or) This Is Not Working by Goldendean
Open the PDF for in another window
Lumumba in the Arts
Gabriella Nugent
African Arts (2022) 55 (4): 95–96.
View articletitled, Lumumba in the Arts
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 1937-2108
  • Print ISSN 0001-9933
A product of The MIT Press
Newsletter sign up

MIT Press Direct

Information

MIT Press

Contact Us

© 2024 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept