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Volume 55, Issue 4
Summer 2022
Issue Cover
All Issues
ISSN 0001-9933
EISSN 1937-2108
In this Issue

first word

New Masks, New Meanings: Covid Perspectives on African Art History: Part 1: Behind The Mask: African Art History in a Pandemic Era
Victoria L. Rovine
African Arts (2022) 55 (4): 1–4.
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New Masks, New Meanings: Covid Perspectives on African Art History: Part 2: Coups, Pandemics, and Careers in African Art History
Lisa Homann
African Arts (2022) 55 (4): 4–5.
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articles

Carnival in Africa: Join the Party!
Amanda Carlson, Courtnay Micots
African Arts (2022) 55 (4): 6–17.
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Carnival and the Theme of Migration: A Designer's Perspective
Umana Nnochiri
African Arts (2022) 55 (4): 18–31.
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Calabar Carnival: Visualizing Cultural Authenticity and the Paradigm of the Street
Nsima Stanislaus Udo
African Arts (2022) 55 (4): 32–41.
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The Ritual Solidarity of Masked Processions in Calabar, Cameroon, and Cuba
Ivor L. Miller
African Arts (2022) 55 (4): 42–53.
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Dancing Altars: Carnivalesque Performance in a Festival in Togo
Elyan Jeanine Hill
African Arts (2022) 55 (4): 54–67.
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Power and Play: Fancy Dress Carnival in Ghana
Courtnay Micots
African Arts (2022) 55 (4): 68–81.
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exhibition reviews

Cloth is Money: Textiles from the Sahel
Morgan Snoap
African Arts (2022) 55 (4): 82–83.
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Moth to Cloth: Silk in Africa
Lesli Robertson
African Arts (2022) 55 (4): 84–85.
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Photo Cameroon: Studio Portraiture, 1970s-1990s
Leslie W. Rabine
African Arts (2022) 55 (4): 86–89.
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book reviews

Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition
Henry John Drewal
African Arts (2022) 55 (4): 90–91.
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TEXTURES: The History and Art of Black Hair
Michelle Turner
African Arts (2022) 55 (4): 92–93.
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PLAN B, a Gathering of Strangers (or) This Is Not Working by Goldendean
Fiona Siegenthaler
African Arts (2022) 55 (4): 93–94.
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Lumumba in the Arts
Gabriella Nugent
African Arts (2022) 55 (4): 95–96.
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