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February 2012
February 01 2012
Review of the 12th Istanbul Biennial
Kaelen Wilson-Goldie
Kaelen Wilson-Goldie
Kaelen Wilson-Goldie is a writer and critic based in Beirut. She is a contributing editor for the magazine Bidoun, writes a column for frieze, contributes regularly to Artforum, and covers contemporary art and culture for the Lebanese newspaper The Daily Star. She has contributed essays to numerous journals, anthologies, monographs, and exhibition catalogues, including The Future of Tradition—The Tradition of Future (2010); Untitled Tracks: On Alternative Music in Beirut (2009); Foreword, the catalogue accompanying Lebanon's first and only national pavilion at the Venice Biennale (2007); and Out of Beirut (2006).
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Kaelen Wilson-Goldie
Kaelen Wilson-Goldie is a writer and critic based in Beirut. She is a contributing editor for the magazine Bidoun, writes a column for frieze, contributes regularly to Artforum, and covers contemporary art and culture for the Lebanese newspaper The Daily Star. She has contributed essays to numerous journals, anthologies, monographs, and exhibition catalogues, including The Future of Tradition—The Tradition of Future (2010); Untitled Tracks: On Alternative Music in Beirut (2009); Foreword, the catalogue accompanying Lebanon's first and only national pavilion at the Venice Biennale (2007); and Out of Beirut (2006).
Online Issn: 2162-2582
Print Issn: 2162-2574
© 2012 Kaelen Wilson-Goldie
2012
ARTMargins (2012) 1 (1): 110–119.
Citation
Kaelen Wilson-Goldie; Review of the 12th Istanbul Biennial. ARTMargins 2012; 1 (1): 110–119. doi: https://doi.org/10.1162/ARTM_r_00006
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