Abstract

This introductory essay by members of the Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey provides a quick overview of the significance of the 1967 defeat of Arab military forces by the Israeli army for the historiography of modern and contemporary Arab art. It then details a recent turn to more critical engagement with that historiographic framework, as exemplified by the 2012 conference The Longevity of Rupture: 1967 in Art and its Histories, and introduces the four articles published in ARTMargins that came out of the conference.

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