Cian Dayrit is an artist, activist, and student of geography.
Sofia Gotti is an art historian and curator specializing in modern and contemporary art, with a focus on politics, feminism, and decoloniality in Latin America and the Global South. She is affiliated with the Department of History of Art and the Centre for Latin American Studies at the University of Cambridge, as well as with the Nuova Accademia delle Belle Arti (NABA) in Milan. She was artistic organizer for the 2024 Venice Biennale. She has previously taught at the Courtauld Institute of Art and has worked in curatorial capacities with institutions including Tate Modern, the Solomon R. Guggenheim Foundation, and Castello di Rivoli Museo d'Arte Contemporanea.
Małgorzata Kaźmierczak teaches at the University of National Education Commission in Kraków, Poland. Since 2004 she has been an independent curator of art projects in Poland and the United States, especially of performance-art events. She is also an author of many art reviews and academic articles on performance art. She is the current president of AICA International.
André Keiji Kunigami teaches in the Department of Film and Media Studies at the University of California, Irvine. He works on Japanese and Brazilian cinemas, Asia-Latin American studies, the visual regimes of race, and the theories of photography and film. His work has appeared in the Journal of Cinema and Media Studies, Journal of Latin American Cultural Studies, Verge: Studies in Global Asias, Galáxia, and Logos.
Cristian Nae teaches at the Faculty of Visual Arts and Design, George Enescu National University of the Arts, Iasi, Romania. His articles have been published in journals such as Third Text and Studies in Eastern European Cinema, as well as in edited collected volumes such as Globalizing the Avant-Garde (de Gruyter, 2024), State Construction and Art in East-Central Europe, 1918–2018 (Routledge, 2022), Realisms of the Avant-Garde (de Gruyter, 2020), Art History in a Global Context (Wiley-Blackwell, 2020), and Performance Art in the Second Public Sphere (Routledge, 2018). He curated the Romanian Pavilion at the 59th Venice Biennale.
Tausif Noor is a critic, curator, and graduate student in history of art at the University of California, Berkeley, where he studies global modernisms with a focus on South Asia and its histories of internationalism. His criticism, essays, and interviews with artists have appeared in Artforum, The New York Times, The New Yorker, and the New York Review of Books, among other venues, as well as in various artist catalogs and monographs. He is a recipient of a 2023 Grace Dudley Prize for Arts Writing from the Robert B. Silver Foundation, as well as a 2023 Andy Warhol Foundation/ Creative Capital Arts Writers Grant for Short Form Writing.