Skip to Main Content

Advertisement

MIT Press Direct, home
header search
Search
Advanced Search
Skip Nav Destination

Issues

Volume 11, Issue 1-2
February-June 2022
ARTMargins Cover Image for Volume 11, Issue 1-2
All Issues
ISSN 2162-2574
EISSN 2162-2582

Special Issue: Didactic Arts

Introduction

The Heresy of Didactic Art
Sven Spieker, Tom Holert
ARTMargins (2022) 11 (1-2): 3–9.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Articles

In The Vortex of Institutional Lives
Annette Krauss, Ferdiansyah Thajib
ARTMargins (2022) 11 (1-2): 10–28.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Scenes of Access, Politics of Difference
Pujan Karambeigi
ARTMargins (2022) 11 (1-2): 29–49.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Between the Personal and the Political: On Marianne Wex's Let's Take Back Our Space
Judith Rodenbeck
ARTMargins (2022) 11 (1-2): 50–80.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Review Article

Learning on the Run: From Psycho-Modernism to Fugitive Sociality
Tim Ridlen
ARTMargins (2022) 11 (1-2): 81–93.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Document

Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green
Sándor Hornyik
ARTMargins (2022) 11 (1-2): 94–101.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Hidden Green by Miklós Erdély
Eszter Bartholyì, Katalin Orbán
ARTMargins (2022) 11 (1-2): 102–105.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Artist Project

The Notebook
Dora García
ARTMargins (2022) 11 (1-2): 106–123.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

From the Editors

From The Editors
ARTMargins (2022) 11 (1-2): 124–125.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Articles

Madness as a Form of Knowledge: Pavel Ivanovich Karpov's Creativity of the Mentally Ill
Branislav Jakovljević
ARTMargins (2022) 11 (1-2): 126–151.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Dreams/Cinema/Palestine: Unoccupied Spaces in The Dream and My Love Awaits Me by the Sea
Greg Burris
ARTMargins (2022) 11 (1-2): 152–170.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Reassessing Moscow Conceptualism: The View from the Nest
Mary A. Nicholas
ARTMargins (2022) 11 (1-2): 171–200.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Photography Against Reproduction: Željko Jerman's My Year, 1977
Adair Rounthwaite
ARTMargins (2022) 11 (1-2): 201–225.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Erratum

Erratum: Introduction to Jalal Al-e Ahmade “To Mohassess, for the Wall”
ARTMargins (2022) 11 (1-2): 226.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window
Contributors
ARTMargins (2022) 11 (1-2): 227–228.
View articletitled, SCM.SharedControls.Infrastructure.TitleDisplayModel?.Text
Open the PDF for in another window

Product(s) added to cart

Go to Cart Continue Browsing
Close Modal

Advertisement

Advertisement

  • Online ISSN 2162-2582
  • Print ISSN 2162-2574
A product of The MIT Press
Newsletter sign up

MIT Press Direct

Information

MIT Press

Contact Us

© 2025 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept