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Volume 12, Issue 3
October 2023
Issue Cover
All Issues
ISSN 2162-2574
EISSN 2162-2582
In this Issue
Editorial Statement
ARTMargins (2023) 12 (3): 3–6.
View articletitled, Editorial Statement
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Articles

“To Make Books Is to Multiply”: Artists' Books and Feminist Expression in Mexico
Maggie Borowitz
ARTMargins (2023) 12 (3): 7–29.
View articletitled, “To Make Books Is to Multiply”: Artists' Books and Feminist Expression in Mexico
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Revisiting Rasheed Araeen's Structures: 8bS at Manufactured Art, 1970
Kylie Gilchrist
ARTMargins (2023) 12 (3): 30–53.
View articletitled, Revisiting Rasheed Araeen's Structures: <em>8bS</em> at Manufactured Art, 1970
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Emergency Aesthetics: The Case of the Four Faces of Omarska
Iva Glisic, Biljana Puric
ARTMargins (2023) 12 (3): 54–75.
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Artist Project

Bags of Stories: Thinking with Household Casebearers in the Anthropocene
Tan Zi Hao
ARTMargins (2023) 12 (3): 76–88.
View articletitled, Bags of Stories: Thinking with Household Casebearers in the Anthropocene
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Review

Complicating Narratives of Contemporary Chinese Art as Global Art through the Lens of Exhibition Histories
Birgit Hopfener
ARTMargins (2023) 12 (3): 89–101.
View articletitled, Complicating Narratives of Contemporary Chinese Art as Global Art through the Lens of Exhibition Histories
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Documents

Introduction to “Revolutionary Painting and the Palestinian Revolution,” by Mohammed Chabâa, and “Palestinian Artists and the Biennial,” from Toni Maraini's “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts” (Both 1974)
Alessandra Amin
ARTMargins (2023) 12 (3): 102–112.
View articletitled, Introduction to “Revolutionary Painting and the Palestinian Revolution,” by Mohammed Chabâa, and “Palestinian Artists and the Biennial,” from Toni Maraini's “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts” (Both 1974)
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Revolutionary Painting and the Palestinian Revolution
Mohammed Chabaa, Alessandra Amin
ARTMargins (2023) 12 (3): 113–115.
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Palestinian Artists and the Biennial, from “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts”
Toni Maraini, Alessandra Amin
ARTMargins (2023) 12 (3): 116–118.
View articletitled, Palestinian Artists and the Biennial, from “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts”
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Contributors

Contributors
ARTMargins (2023) 12 (3): 119.
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