Homeland's Agenda: Electoral Autocracy (The Venezuelan Case, 2016) , a video-collage transcript, creates a general equivalence of media—public government broadcasting, propaganda, diverse Internet corporate news channels, pop music lyrics, video testimonials of disparate polish—so that each successive clip does not dominate the others. The result is a distillation of content lead by form and supported by a transcript translation that reveals a complex situation that is otherwise unreachable for audiences not initiated into the Venezuelan geopolitical context. The sourced material spans the period from 2011 to 2016, bearing witness to the emergence of a national humanitarian crisis and ensuing civil protests that, in 2017, prompted government repression by means of the police, the military, and the media.

“Screen Play” is a collaged conversation that entangles complementary views on international politics during the Cold War, particularly in relation to Iran. The text is a direct transcription from the Longines Chronoscope television news program (1951–55), but the speakers' words have been edited to bring them in dialogue with each other, emphasizing the program's role in the manufacture of consent, as a sounding board for Cold War discourse, and as a precursor of today's infotainment.