Skip to Main Content
Umbrella Alt Text
header search
Search
Advanced Search
Skip Nav Destination
Sex Sounds: Vectors of Difference in Electronic Music

Sex Sounds: Vectors of Difference in Electronic Music

By
Danielle Shlomit Sofer
Danielle Shlomit Sofer

Danielle Shlomit Sofer is a music theorist and musicologist and cofounded the LGBTQ+ Music Study Group.

Search for other works by this author on:
This Site
Google Scholar
The MIT Press
DOI:
https://doi.org/10.7551/mitpress/12089.001.0001
ISBN electronic:
9780262369954
Publication date:
2022
Chapter Contents
Book Chapter

I: Electroacoustics of the Feminized Voice

  • Published:
    2022

Schaeffer and Henry’s “Erotica” (1950–1951)

Annea Lockwood’s Tiger Balm (1970)

Luc Ferrari’s Les Danses Organiques (1973) and Presque Rien Avec Filles (1989)

Robert Normandeau’s Jeu De Langues (2009)

Juliana Hodkinson and Niels Rønsholdt’s Fish & Fowl (2011–2012)

A product of The MIT Press
Newsletter Sign Up

MIT Press Direct

Information

MIT Press

Contact Us

© 2023 The MIT Press
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy. No content on this site may be used to train artificial intelligence systems without permission in writing from the MIT Press.
Accept