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Sex Sounds: Vectors of Difference in Electronic Music
By
Danielle Shlomit Sofer
Danielle Shlomit Sofer
Danielle Shlomit Sofer is a music theorist and musicologist and cofounded the LGBTQ+ Music Study Group.
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The MIT Press
ISBN electronic:
9780262369954
Publication date:
2022
Chapter Contents
- [ Opening ]
- Donna Summer’s “Love to Love You Baby” (1975)
- Alice Shields’s Apocalypse (1990–1994)
- Annie Sprinkle’s Sluts & Goddesses Video Workshop, Sound Score By Pauline Oliveros (1992)
- Barry Truax’s Song of Songs (1992)
- TLC’s “I’m Good at Being Bad” (1999)
- Janelle Monáe’s “It’s Code” (2013)
- The Wobble Warp: THEESatisfaction’s “Enchantruss” (2012), Janelle Monáe and Esperanza Spalding’s “Dorothy Dandridge Eyes” (2013), and Stas THEE Boss’s “Before Anyone Else” (2017)
Book Chapter
II: Electrosexual Disturbance
-
Published:2022
Citation
2022. "Electrosexual Disturbance", Sex Sounds: Vectors of Difference in Electronic Music, Danielle Shlomit Sofer
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Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License
The open access edition of this book was made possible by generous funding and support from MIT Press Direct to Open
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
[ Opening ]
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License
The open access edition of this book was made possible by generous funding and support from MIT Press Direct to Open
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Donna Summer’s “Love to Love You Baby” (1975)
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License
The open access edition of this book was made possible by generous funding and support from MIT Press Direct to Open
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Alice Shields’s Apocalypse (1990–1994)
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License
The open access edition of this book was made possible by generous funding and support from MIT Press Direct to Open
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Annie Sprinkle’s Sluts & Goddesses Video Workshop, Sound Score By Pauline Oliveros (1992)
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License
The open access edition of this book was made possible by generous funding and support from MIT Press Direct to Open
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Barry Truax’s Song of Songs (1992)
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License
The open access edition of this book was made possible by generous funding and support from MIT Press Direct to Open
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
TLC’s “I’m Good at Being Bad” (1999)
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License
The open access edition of this book was made possible by generous funding and support from MIT Press Direct to Open
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
Janelle Monáe’s “It’s Code” (2013)
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License
The open access edition of this book was made possible by generous funding and support from MIT Press Direct to Open
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.
The Wobble Warp: THEESatisfaction’s “Enchantruss” (2012), Janelle Monáe and Esperanza Spalding’s “Dorothy Dandridge Eyes” (2013), and Stas THEE Boss’s “Before Anyone Else” (2017)
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License
The open access edition of this book was made possible by generous funding and support from MIT Press Direct to Open
This work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
.