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Bo Ruberg
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Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0001
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0002
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0003
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0004
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0006
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0007
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0008
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0009
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0011
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0012
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0013
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0014
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0015
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.003.0016
EISBN: 9780262369572
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.001.0001
EISBN: 9780262369572
Investigating and reimagining the origin story of the sex doll through the tale of the sailor's dames de voyage . The sex doll and its high-tech counterpart the sex robot have gone mainstream, as both the object of consumer desire and the subject of academic study. But sex dolls, and sexual technology in general, are nothing new. Sex dolls have been around for centuries. In Sex Dolls at Sea , Bo Ruberg explores the origin story of the sex doll, investigating its cultural implications and considering who has been marginalized and who has been privileged in the narrative. Ruberg examines the generally accepted story that the first sex dolls were dames de voyage , rudimentary figures made of cloth and leather scraps by European sailors on long, lonely ocean voyages in centuries past. In search of supporting evidence for the lonesome sailor sex doll theory, Ruberg uncovers the real history of the sex doll. The earliest commercial sex dolls were not the dames de voyage but the femmes en caoutchouc : “women” made of inflatable vulcanized rubber, beginning in the late nineteenth century. Interrogating the sailor sex doll origin story, Ruberg finds beneath the surface a web of issues relating to gender, sexuality, race, and colonialism. What has been lost in the history of the sex doll and other sex tech, Ruberg tells us, are the stories of the sex workers, women, queer people, and people of color whose lives have been bound up with these technologies.