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Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0011
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0012
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0013
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0014
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0015
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0016
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0017
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0018
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0019
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0001
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0002
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0003
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0004
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0005
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0006
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0007
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0008
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0009
EISBN: 9780262341783
Book: Visual Phenomenology
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.003.0010
EISBN: 9780262341783
Publisher: The MIT Press
Published: 10 December 2016
DOI: 10.7551/mitpress/10796.001.0001
EISBN: 9780262341783
Phenomenological and empirical methods of investigating visual experience converge to support the thesis that visual perception is an ongoing process of anticipation and fulfillment. In this book, Michael Madary examines visual experience, drawing on both phenomenological and empirical methods of investigation. He finds that these two approaches—careful, philosophical description of experience and the science of vision—independently converge on the same result: Visual perception is an ongoing process of anticipation and fulfillment. Madary first makes the case for the descriptive premise, arguing that the phenomenology of vision is best described as on ongoing process of anticipation and fulfillment. He discusses visual experience as being perspectival, temporal, and indeterminate; considers the possibility of surprise when appearances do not change as we expect; and considers the content of visual anticipation. Madary then makes the case for the empirical premise, showing that there are strong empirical reasons to model vision using the general form of anticipation and fulfillment. He presents a range of evidence from perceptual psychology and neuroscience, and reinterprets evidence for the two-visual-systems hypothesis. Finally, he considers the relationship between visual perception and social cognition. An appendix discusses Husserlian phenomenology as it relates to the argument of the book. Madary argues that the fact that there is a convergence of historically distinct methodologies itself is an argument that supports his findings. With Visual Phenomenology , he creates an exchange between the humanities and the sciences that takes both methods of investigation seriously.