Skip Nav Destination
Close Modal
Update search
NARROW
Format
Subjects
Date
Availability
1-20 of 72
Norie Neumark
Close
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Sort by
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0001
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0002
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0003
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0004
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0005
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0006
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0007
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0008
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0009
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0010
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.003.0011
EISBN: 9780262339834
Publisher: The MIT Press
Published: 19 May 2017
DOI: 10.7551/mitpress/10353.001.0001
EISBN: 9780262339834
The affects, aesthetics, and ethics of voice in the new materialist turn, explored through encounters with creative works in media and the arts. Moved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark's Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories of sound, animal, and posthumanist studies in order to change the ways we think about and act with the assemblages of living creatures, things, places, and histories around us. Neumark evokes both the literal—the actual voices within the works she examines—and the metaphorical—in a new materialist exploration of voice encompassing human, animal, thing, and assemblages. She engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. She writes about remixes, the Barbie Liberation Organisation, and breath in Beijing, about cat videos, speaking fences in Australia, and an artist who reads (to) the birds. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.
Publisher: The MIT Press
Published: 20 August 2010
DOI: 10.7551/mitpress/8059.003.0011
EISBN: 9780262289696
Publisher: The MIT Press
Published: 20 August 2010
DOI: 10.7551/mitpress/8059.003.0012
EISBN: 9780262289696
Publisher: The MIT Press
Published: 20 August 2010
DOI: 10.7551/mitpress/8059.003.0013
EISBN: 9780262289696
Publisher: The MIT Press
Published: 20 August 2010
DOI: 10.7551/mitpress/8059.003.0014
EISBN: 9780262289696
Publisher: The MIT Press
Published: 20 August 2010
DOI: 10.7551/mitpress/8059.003.0015
EISBN: 9780262289696
Publisher: The MIT Press
Published: 20 August 2010
DOI: 10.7551/mitpress/8059.003.0016
EISBN: 9780262289696
Publisher: The MIT Press
Published: 20 August 2010
DOI: 10.7551/mitpress/8059.003.0017
EISBN: 9780262289696
Publisher: The MIT Press
Published: 20 August 2010
DOI: 10.7551/mitpress/8059.003.0018
EISBN: 9780262289696