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Philipp Ekardt
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Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0011
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0012
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0013
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0014
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0015
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0016
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0017
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0018
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0019
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.001.0001
EISBN: 9780262346672
The first English-language monograph devoted to the full oeuvre of Alexander Kluge, the prolific German filmmaker, television producer, digital entrepreneur, author, thinker, and public intellectual. Alexander Kluge (born 1932) is a German filmmaker, author, television producer, theorist, and digital entrepreneur. Since 1960, he has made fourteen feature films and twenty short films and has written more than thirty books—including three with Marxist philosopher Oskar Negt. His television production company has released more than 3,000 features, in which Kluge converses with real or fictional experts or creates thematic montages. He also maintains a website on which he reassembles segments from his film and television work. To call Kluge “prolific” would be an understatement. This is the first English-language monograph devoted to the full scope of Kluge's work, from his appearance on the cultural scene in the 1960s to his contributions to New German Cinema in the 1970s and early 1980s to his recent collaborations with such artists as Gerhard Richter. In Toward Fewer Images , Philipp Ekardt offers both close analyses of Kluge's individual works and sustained investigations of his overarching (and perpetual) production. Ekardt discusses Kluge's image theory and practice as developed across different media, and considers how, in relation to this theory, Kluge returns to, varies, expands, and modifies the practice of montage, including its recent manifestations in digital media—noting Kluge's counterintuitive claim that creating montages results in fewer images. Kluge's production, Ekardt argues, allows us to imagine a model of authorship and artistic production that does not rely on an accumulation of individual works over time but rather on a permanent activity of (temporalized) reworking and redifferentiation.
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0001
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0002
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0003
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0004
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0005
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0006
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0007
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0008
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0009
EISBN: 9780262346672
Publisher: The MIT Press
Published: 07 August 2018
DOI: 10.7551/mitpress/11758.003.0010
EISBN: 9780262346672