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Stephen Wilson
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Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0041
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0042
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0043
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0044
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0045
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0046
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0047
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0048
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0049
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0050
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.001.0001
EISBN: 9780262286336
An introduction to the work and ideas of artists who use—and even influence—science and technology. A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture. In this rich compendium, Wilson offers the first comprehensive survey of international artists who incorporate concepts and research from mathematics, the physical sciences, biology, kinetics, telecommunications, and experimental digital systems such as artificial intelligence and ubiquitous computing. In addition to visual documentation and statements by the artists, Wilson examines relevant art-theoretical writings and explores emerging scientific and technological research likely to be culturally significant in the future. He also provides lists of resources including organizations, publications, conferences, museums, research centers, and Web sites.
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0011
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0012
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0013
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0014
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0015
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0016
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0017
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0018
EISBN: 9780262286336
Publisher: The MIT Press
Published: 21 November 2001
DOI: 10.7551/mitpress/3765.003.0019
EISBN: 9780262286336