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Series: Management on the Cutting Edge
Publisher: The MIT Press
Published: 23 August 2022
DOI: 10.7551/mitpress/11661.001.0001
EISBN: 9780262352307
Why an organization's response to digital disruption should focus on people and processes and not necessarily on technology. Digital technologies are disrupting organizations of every size and shape, leaving managers scrambling to find a technology fix that will help their organizations compete. This book offers managers and business leaders a guide for surviving digital disruptions—but it is not a book about technology. It is about the organizational changes required to harness the power of technology. The authors argue that digital disruption is primarily about people and that effective digital transformation involves changes to organizational dynamics and how work gets done. A focus only on selecting and implementing the right digital technologies is not likely to lead to success. The best way to respond to digital disruption is by changing the company culture to be more agile, risk tolerant, and experimental. The authors draw on four years of research, conducted in partnership with MIT Sloan Management Review and Deloitte, surveying more than 16,000 people and conducting interviews with managers at such companies as Walmart, Google, and Salesforce. They introduce the concept of digital maturity—the ability to take advantage of opportunities offered by the new technology—and address the specifics of digital transformation, including cultivating a digital environment, enabling intentional collaboration, and fostering an experimental mindset. Every organization needs to understand its “digital DNA” in order to stop “doing digital” and start “being digital.” Digital disruption won't end anytime soon; the average worker will probably experience numerous waves of disruption during the course of a career. The insights offered by The Technology Fallacy will hold true through them all. A book in the Management on the Cutting Edge series, published in cooperation with MIT Sloan Management Review .
Book
Series: Leonardo
Publisher: The MIT Press
Published: 28 June 2022
DOI: 10.7551/mitpress/10818.001.0001
EISBN: 9780262361736
An “episode of light” in Canada sparked by Expo 67 when new art forms, innovative technologies, and novel institutional and policy frameworks emerged together. Understanding how experimental art catalyzes technological innovation is often prized yet typically reduced to the magic formula of “creativity.” In Northern Sparks , Michael Century emphasizes the role of policy and institutions by showing how novel art forms and media technologies in Canada emerged during a period of political and social reinvention, starting in the 1960s with the energies unleashed by Expo 67. Debunking conventional wisdom, Century reclaims innovation from both its present-day devotees and detractors by revealing how experimental artists critically challenge as well as discover and extend the capacities of new technologies. Century offers a series of detailed cross-media case studies that illustrate the cross-fertilization of art, technology, and policy. These cases span animation, music, sound art and acoustic ecology, cybernetic cinema, interactive installation art, virtual reality, telecommunications art, software applications, and the emergent metadiscipline of human-computer interaction. They include Norman McLaren's “proto-computational” film animations; projects in which the computer itself became an agent, as in computer-aided musical composition and choreography; an ill-fated government foray into interactive networking, the videotext system Telidon; and the beginnings of virtual reality at the Banff Centre. Century shows how Canadian artists approached new media technologies as malleable creative materials, while Canada undertook a political reinvention alongside its centennial celebrations. Northern Sparks offers a uniquely nuanced account of innovation in art and technology illuminated by critical policy analysis.
Series: International Development Research Centre
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13835.001.0001
EISBN: 9780262369824
Understanding the embedded and disembedded, material and immaterial, territorialized and deterritorialized natures of digital work. Many jobs today can be done from anywhere. Digital technology and widespread internet connectivity allow almost anyone, anywhere, to connect to anyone else to communicate and exchange files, data, video, and audio. In other words, work can be deterritorialized at a planetary scale. This book examines the implications for both work and workers when work is commodified and traded beyond local labor markets. Going beyond the usual “world is flat” globalization discourse, contributors look at both the transformation of work itself and the wider systems, networks, and processes that enable digital work in a planetary market, offering both empirical and theoretical perspectives. The contributors—leading scholars and experts from a range of disciplines—touch on a variety of issues, including content moderation, autonomous vehicles, and voice assistants. They first look at the new experience of work, finding that, despite its planetary connections, labor remains geographically sticky and embedded in distinct contexts. They go on to consider how planetary networks of work can be mapped and problematized, discuss the productive multiplicity and interdisciplinarity of thinking about digital work and its networks, and, finally, imagine how planetary work could be regulated. Contributors Sana Ahmad, Payal Arora, Janine Berg, Antonio A. Casilli, Julie Chen, Christina Colclough, Fabian Ferrari, Mark Graham, Andreas Hackl, Matthew Hockenberry, Hannah Johnston, Martin Krzywdzinski, Johan Lindquist, Joana Moll, Brett Neilson, Usha Raman, Jara Rocha, Jathan Sadowski, Florian A. Schmidt, Cheryll Ruth Soriano, Nick Srnicek, James Steinhoff, Jara Rocha, JS Tan, Paola Tubaro, Moira Weigel, Lin Zhang
Series: Media Origins
Publisher: The MIT Press
Published: 14 June 2022
DOI: 10.7551/mitpress/13822.001.0001
EISBN: 9780262369572
Investigating and reimagining the origin story of the sex doll through the tale of the sailor's dames de voyage . The sex doll and its high-tech counterpart the sex robot have gone mainstream, as both the object of consumer desire and the subject of academic study. But sex dolls, and sexual technology in general, are nothing new. Sex dolls have been around for centuries. In Sex Dolls at Sea , Bo Ruberg explores the origin story of the sex doll, investigating its cultural implications and considering who has been marginalized and who has been privileged in the narrative. Ruberg examines the generally accepted story that the first sex dolls were dames de voyage , rudimentary figures made of cloth and leather scraps by European sailors on long, lonely ocean voyages in centuries past. In search of supporting evidence for the lonesome sailor sex doll theory, Ruberg uncovers the real history of the sex doll. The earliest commercial sex dolls were not the dames de voyage but the femmes en caoutchouc : “women” made of inflatable vulcanized rubber, beginning in the late nineteenth century. Interrogating the sailor sex doll origin story, Ruberg finds beneath the surface a web of issues relating to gender, sexuality, race, and colonialism. What has been lost in the history of the sex doll and other sex tech, Ruberg tells us, are the stories of the sex workers, women, queer people, and people of color whose lives have been bound up with these technologies.
Series: Acting with Technology
Publisher: The MIT Press
Published: 07 June 2022
DOI: 10.7551/mitpress/11792.001.0001
EISBN: 9780262369381
How the Amish have adopted certain digital tools in ways that allow them to work and live according to their own value system. The Amish are famous for their disconnection from the modern world and all its devices. But, as Lindsay Ems shows in Virtually Amish , Old Order Amish today are selectively engaging with digital technology. The Amish need digital tools to participate in the economy—websites for ecommerce, for example, and cell phones for communication on the road—but they have developed strategies for making limited use of these tools while still living and working according to the values of their community. The way they do this, Ems suggests, holds lessons for all of us about resisting the negative forces of what has been called “high-tech capitalism.” Ems shows how the Amish do not allow technology to drive their behavior; instead, they actively configure their sociotechnical world to align with their values and protect their community's autonomy. Drawing on extensive ethnographic fieldwork conducted in two Old Order Amish settlements in Indiana, Ems explores explicit rules and implicit norms as innovations for resisting negative impacts of digital technology. She describes the ingenious contraptions the Amish devise—including “the black-box phone,” a landline phone attached to a device that connects to a cellular network when plugged into a car's cigarette lighter—and considers the value of human-centered approaches to communication. Non-Amish technology users would do well to take note of Amish methods of adopting digital technologies in ways that empower people and acknowledge their shared humanity. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin.
Series: History and Foundations of Information Science
Publisher: The MIT Press
Published: 24 May 2022
DOI: 10.7551/mitpress/12245.001.0001
EISBN: 9780262369961
How biodiversity classification, with its ranking of species, has social and political implications as well as implications for the field of information studies. The idea that species live in nature as pure and clear-cut named individuals is a fiction, as scientists well know. According to Robert D. Montoya, classifications are powerful mechanisms and we must better attend to the machinations of power inherent in them, as well as to how the effects of this power proliferate beyond the boundaries of their original intent. We must acknowledge the many ways our classifications are implicated in environmental, ecological, and social justice work—and information specialists must play a role in updating our notions of what it means to classify. In Power of Position , Montoya shows how classifications are systems that relate one entity with other entities, requiring those who construct a system to value an entity's relative importance—by way of its position—within a system of other entities. These practices, says Montoya, are important ways of constituting and exerting power. Classification also has very real-world consequences. An animal classified as protected and endangered, for example, is protected by law. Montoya also discusses the Catalogue of Life, a new kind of composite classification that reconciles many local (“traditional”) taxonomies, forming a unified taxonomic backbone structure for organizing biological data. Finally, he shows how the theories of information studies are applicable to realms far beyond those of biological classification.
Book
Publisher: The MIT Press
Published: 24 May 2022
DOI: 10.7551/mitpress/12277.001.0001
EISBN: 9780262368919
A groundbreaking theoretical physicist traces his career, reflecting on the successes and failures, triumphs and insecurities of a life cut short by cancer. The groundbreaking theoretical physicist Joseph Polchinski explained the genesis of his memoir this way: “Having only two bodies of knowledge, myself and physics, I decided to write an autobiography about my development as a theoretical physicist.” In this posthumously published account of his life and work, Polchinski (1954–2018) describes successes and failures, triumphs and insecurities, and the sheer persistence that led to his greatest discoveries. Writing engagingly and accessibly, with the wry humor for which he was known, Polchinski gives theoretical physics a very human face. Polchinski, famous for his contributions to string theory, may have changed the course of modern theoretical physics, but he was a late bloomer—doing most of his important work after the age of forty. His death from brain cancer at sixty-three cut short a career at its peak. Working on the memoir after his diagnosis, using a text-to-speech algorithm because he could no longer read words on a page, he was able to recapitulate his entire career, down to the details of problems he had worked on. For Polchinski, physics went deeper than words. This edition includes photographs from Polchinski's professional and family life, as well as physics explainer boxes, other technical edits, and bibliographic notes by his former student Ahmed Almheiri, a foreword by Andrew Strominger, and an afterword by his wife Dorothy Chun and sons Steven and Daniel.
Publisher: The MIT Press
Published: 24 May 2022
DOI: 10.7551/mitpress/12442.001.0001
EISBN: 9780262369503
An argument that social, political, and economic systems maintain power by discarding certain people, places, and things. Discard studies is an emerging field that looks at waste and wasting broadly construed. Rather than focusing on waste and trash as the primary objects of study, discard studies looks at wider systems of waste and wasting to explore how some materials, practices, regions, and people are valued or devalued, becoming dominant or disposable. In this book, Max Liboiron and Josh Lepawsky argue that social, political, and economic systems maintain power by discarding certain people, places, and things. They show how the theories and methods of discard studies can be applied in a variety of cases, many of which do not involve waste, trash, or pollution. Liboiron and Lepawsky consider the partiality of knowledge and offer a theory of scale, exploring the myth that most waste is municipal solid waste produced by consumers; discuss peripheries, centers, and power, using content moderation as an example of how dominant systems find ways to discard; and use theories of difference to show that universalism, stereotypes, and inclusion all have politics of discard and even purification—as exemplified in “inclusive” efforts to broaden the Black Lives Matter movement. Finally, they develop a theory of change by considering “wasting well,” outlining techniques, methods, and propositions for a justice-oriented discard studies that keeps power in view.
Series: Strong Ideas
Publisher: The MIT Press
Published: 24 May 2022
DOI: 10.7551/mitpress/14189.001.0001
EISBN: 9780262368865
A proposal that we think about digital technologies such as machine learning not in terms of artificial intelligence but as artificial communication . Algorithms that work with deep learning and big data are getting so much better at doing so many things that it makes us uncomfortable. How can a device know what our favorite songs are, or what we should write in an email? Have machines become too smart? In Artificial Communication , Elena Esposito argues that drawing this sort of analogy between algorithms and human intelligence is misleading. If machines contribute to social intelligence, it will not be because they have learned how to think like us but because we have learned how to communicate with them. Esposito proposes that we think of “smart” machines not in terms of artificial intelligence but in terms of artificial communication . To do this, we need a concept of communication that can take into account the possibility that a communication partner may be not a human being but an algorithm—which is not random and is completely controlled, although not by the processes of the human mind. Esposito investigates this by examining the use of algorithms in different areas of social life. She explores the proliferation of lists (and lists of lists) online, explaining that the web works on the basis of lists to produce further lists; the use of visualization; digital profiling and algorithmic individualization, which personalize a mass medium with playlists and recommendations; and the implications of the “right to be forgotten.” Finally, she considers how photographs today seem to be used to escape the present rather than to preserve a memory.
Publisher: The MIT Press
Published: 17 May 2022
DOI: 10.7551/mitpress/13885.001.0001
EISBN: 9780262369589
How the tools of STS can be used to understand art and science and the practices of these knowledge-making communities. In Art, Science, and the Politics of Knowledge , Hannah Star Rogers suggests that art and science are not as different from each other as we might assume. She shows how the tools of science and technology studies (STS) can be applied to artistic practice, offering new ways of thinking about people and objects that have largely fallen outside the scope of STS research. Arguing that the categories of art and science are labels with specific powers to order social worlds—and that art and science are best understood as networks that produce knowledge—Rogers shows, through a series of cases, the similarities and overlapping practices of these knowledge communities. The cases, which range from nineteenth-century artisans to contemporary bioartists, illustrate how art can provide the basis for a new subdiscipline called art, science, and technology studies (ASTS), offering hybrid tools for investigating art–science collaborations. Rogers's subjects include the work of father and son glassblowers, the Blaschkas, whose glass models, produced in the nineteenth century for use in biological classification, are now displayed as works of art; the physics photographs of documentary photographer Berenice Abbott; and a bioart lab that produces work functioning as both artwork and scientific output. Finally, Rogers, an STS scholar and contemporary art–science curator, draws on her own work to consider the concept of curation as a form of critical analysis.
Series: Intelligent Robotics and Autonomous Agents series
Publisher: The MIT Press
Published: 17 May 2022
DOI: 10.7551/mitpress/13780.001.0001
EISBN: 9780262369329
The current state of the art in cognitive robotics, covering the challenges of building AI-powered intelligent robots inspired by natural cognitive systems. A novel approach to building AI-powered intelligent robots takes inspiration from the way natural cognitive systems—in humans, animals, and biological systems—develop intelligence by exploiting the full power of interactions between body and brain, the physical and social environment in which they live, and phylogenetic, developmental, and learning dynamics. This volume reports on the current state of the art in cognitive robotics, offering the first comprehensive coverage of building robots inspired by natural cognitive systems. Contributors first provide a systematic definition of cognitive robotics and a history of developments in the field. They describe in detail five main approaches: developmental, neuro, evolutionary, swarm, and soft robotics. They go on to consider methodologies and concepts, treating topics that include commonly used cognitive robotics platforms and robot simulators, biomimetic skin as an example of a hardware-based approach, machine-learning methods, and cognitive architecture. Finally, they cover the behavioral and cognitive capabilities of a variety of models, experiments, and applications, looking at issues that range from intrinsic motivation and perception to robot consciousness. Cognitive Robotics is aimed at an interdisciplinary audience, balancing technical details and examples for the computational reader with theoretical and experimental findings for the empirical scientist.
Publisher: The MIT Press
Published: 17 May 2022
DOI: 10.7551/mitpress/13830.001.0001
EISBN: 9780262369848
A reconception of the sublime to include experiences of disaster, war, outer space, virtual reality, and the Anthropocene. We experience the sublime—overwhelming amazement and exhilaration—in at least seven different forms. Gazing from the top of a mountain at a majestic vista is not the same thing as looking at a city from the observation deck of a skyscraper; looking at images constructed from Hubble Space Telescope data is not the same as living through a powerful earthquake. The varieties of sublime experience have increased during the last two centuries, and we need an expanded terminology to distinguish between them. In this book, David Nye delineates seven forms of the sublime: natural, technological, disastrous, martial, intangible, digital, and environmental, which express seven different relationships to space, time, and identity. These forms of the sublime can be experienced at historic sites, ruins, cities, and national parks, or on the computer screen. We find them in beautiful landscapes and gigantic dams, in battle and on battlefields, in images of black holes and microscopic particles. The older forms are tangible, when we are physically present and our senses are fully engaged; increasingly, others are intangible, mediated through technology. Nye examines each of the seven sublimes, framed by philosophy but focused on historical examples.
Publisher: The MIT Press
Published: 17 May 2022
DOI: 10.7551/mitpress/14299.001.0001
EISBN: 9780262369237
How we can create artificial intelligence with broad, robust common sense rather than narrow, specialized expertise. It's sometime in the not-so-distant future, and you send your fully autonomous self-driving car to the store to pick up your grocery order. The car is endowed with as much capability as an artificial intelligence agent can have, programmed to drive better than you do. But when the car encounters a traffic light stuck on red, it just sits there—indefinitely. Its obstacle-avoidance, lane-following, and route-calculation capacities are all irrelevant; it fails to act because it lacks the common sense of a human driver, who would quickly figure out what's happening and find a workaround. In Machines like Us , Ron Brachman and Hector Levesque—both leading experts in AI—consider what it would take to create machines with common sense rather than just the specialized expertise of today's AI systems. Using the stuck traffic light and other relatable examples, Brachman and Levesque offer an accessible account of how common sense might be built into a machine. They analyze common sense in humans, explain how AI over the years has focused mainly on expertise, and suggest ways to endow an AI system with both common sense and effective reasoning. Finally, they consider the critical issue of how we can trust an autonomous machine to make decisions, identifying two fundamental requirements for trustworthy autonomous AI systems: having reasons for doing what they do, and being able to accept advice. Both in the end are dependent on having common sense.
Publisher: The MIT Press
Published: 10 May 2022
DOI: 10.7551/mitpress/14156.001.0001
EISBN: 9780262369190
A guide for research economists: how to write papers, give talks, navigate the peer-review process, advise students, and more. Newly minted research economists are equipped with a PhD's worth of technical and scientific expertise but often lack some of the practical tools necessary for “doing economics.” With this book, economics professor Marc Bellemare breaks down the components of doing research economics and examines each in turn: communicating your research findings in a paper; presenting your findings to other researchers by giving a talk; submitting your paper to a peer-reviewed journal; funding your research program through grants (necessary more often than not for all social scientists); knowing what kind of professional service opportunities to pursue; and advising PhD, master's, and undergraduate students. With increasing data availability and decreasing computational costs, economics has taken an empirical turn in recent decades. Academic economics is no longer the domain only of the theoretical; many young economists choose applied fields when the time comes to specialize. Yet there is no manual for surviving and thriving as a professional research economist. Doing Economics fills that gap, offering an essential guide for research economists at any stage of their careers.
Series: October Files
Publisher: The MIT Press
Published: 10 May 2022
DOI: 10.7551/mitpress/14371.001.0001
EISBN: 9780262369244
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today's visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton's work. It complements On the Camera Arts and Consecutive Matter , published in the MIT Press's Writing Art series, which collected Frampton's own writings. October was as central to Frampton as he was to it. He was both a frequent contributor—appearing in the first issue in 1976—and a frequent subject of contributions by others. Some of these important and incisive writings on Frampton's work are reprinted here. The essays collected in this volume consider Frampton's photographic practice, which continued even after he turned to film; survey his film work from the 1960s to the late 1970s; and explore Frampton's grounding in poetics and language. Two essays by the late Annette Michelson, one of the twentieth century's most influential writers on experimental film, place Frampton in relation to film and art history. Contributors George Derk, Ken Eisenstein, Hollis Frampton, Peter Gidal, Barry Goldensohn, Brian Henderson, Bruce Jenkins, Annette Michelson, Christopher Phillips, Melissa Ragona, Allen S. Weiss, Federico Windhausen, Lisa Zaher, Michael Zryd
Publisher: The MIT Press
Published: 10 May 2022
DOI: 10.7551/mitpress/12126.001.0001
EISBN: 9780262368490
The evolution of the most innovative square mile on the planet: the endless cycles of change and reinvention that created today's Kendall Square. Kendall Square in Cambridge, Massachusetts, has been called “the most innovative square mile on the planet.” It's a life science hub, hosting Biogen, Moderna, Pfizer, Takeda, and others. It's a major tech center, with Google, Microsoft, IBM, Amazon, Facebook, and Apple all occupying big chunks of pricey office space. Kendall Square also boasts a dense concentration of startups, with leading venture capital firms conveniently located nearby. And of course, MIT is just down the block. In Where Futures Converge , Robert Buderi offers the first detailed account of the unique ecosystem that is Kendall Square, chronicling the endless cycles of change and reinvention that have driven its evolution. Buderi, who himself has worked in Kendall Square for the past twenty years, tells fascinating stories of great innovators and their innovations that stretch back two centuries. Before biotech and artificial intelligence, there was railroad car innovation, the first long-distance telephone call, the Polaroid camera, MIT's once secret, now famous Radiation Laboratory, and much more. Buderi takes readers on a walking tour of the square and talks to dozens of innovators, entrepreneurs, urban planners, historians, and others. He considers Kendall Square's limitations—it's “gentrification gone rogue,” by one description, with little affordable housing, no pharmacy, and a scarce middle class—and its strengths: the “human collisions” that spur innovation. What's next for Kendall Square? Buderi speculates about the next big innovative enterprises and outlines lessons for aspiring innovation districts. More important, he asks how Kendall Square can be both an innovation hub and a diversity, equity, and inclusion hub. There's a lot of work still to do.
Series: The MIT Press Essential Knowledge series
Publisher: The MIT Press
Published: 10 May 2022
DOI: 10.7551/mitpress/12824.001.0001
EISBN: 9780262368155
An accessible introduction to the study of language in the brain, covering language processing, language acquisition, literacy, and language disorders. Neurolinguistics, the study of language in the brain, describes the anatomical structures (networks of neurons in the brain) and physiological processes (ways for these networks to be active) that allow humans to learn and use one or more languages. It draws on neuroscience, linguistics—particularly theoretical linguistics—and other disciplines. In this volume in the MIT Press Essential Knowledge series, Giosuè Baggio offers an accessible introduction to the fundamentals of neurolinguistics, covering language processing, language acquisition, literacy, and speech and language disorders. Baggio first surveys the evolution of the field, describing discoveries by Paul Broca, Carl Wernicke, Noam Chomsky, and others. He discusses mapping language in “brain time” and “brain space” and the constraints of neurolinguistic models. Considering language acquisition, he explains that a child is never a “blank slate”: infants and young children are only able to acquire specific aspects of language in specific stages of cognitive development. He addresses the neural consequences of bilingualism; literacy, discussing how forms of visual language in the brain differ from forms of auditory language; aphasia and the need to understand language disorders in behavioral, functional, and neuroanatomical terms; neurogenetics of language; and the neuroethology of language, tracing the origins of the neural and behavioral building blocks of human linguistic communication to the evolution of avian, mammalian, and primate brains.
Series: The MIT Press Essential Knowledge series
Publisher: The MIT Press
Published: 10 May 2022
DOI: 10.7551/mitpress/12829.001.0001
EISBN: 9780262368834
An exploration of echo not as simple repetition but as an agent of creative possibilities. In this volume in the MIT Press Essential Knowledge series, Amit Pinchevski proposes that echo is not simple repetition and the reproduction of sameness but an agent of change and a source of creation and creativity. Pinchevski views echo as a medium, connecting and mediating across and between disparate domains. He reminds us that the mythological Echo, sentenced by Juno to repeat the last words of others, found a way to make repetition expressive. So too does echo introduce variation into sameness, mediating between self and other, inside and outside, known and unknown, near and far. Echo has the potential to bring back something unexpected, either more or less than what was sent. Pinchevski distinguishes echo from the closely related but sometimes conflated reflection, reverberation, and resonance; considers echolalia as an active, reactive, and creative vocalic force, the launching pad of speech; and explores echo as a rhetorical device, steering between appropriation and response while always maintaining relation. He examines the trope of echo chamber and both destructive and constructive echoing; describes various echo techniques and how echo can serve practical purposes from echolocation in bats and submarines to architecture and sound recording; explores echo as a link to the past, both literally and metaphorically; and considers echo as medium using Marshall McLuhan's tetrad.
Series: The MIT Press Essential Knowledge series
Publisher: The MIT Press
Published: 10 May 2022
DOI: 10.7551/mitpress/13809.001.0001
EISBN: 9780262368216
A concise introduction to content and the content industry, from the early internet to the Instagram egg. From the time we roll out of bed to check overnight updates to our last posts, likes, and views of the previous day, we're consuming and producing content. But what does the term “content” even mean? When did it become ubiquitous? And at what cost? In this volume in the MIT Press Essential Knowledge series, Kate Eichhorn offers a concise introduction to content and the content industry, examining the far-reaching effects content has on culture, politics, and labor in a digital age.Eichhorn traces the evolution of our current understanding of content from the early internet to the current social mediaverse. The quintessential example of content, she says, is the Instagram egg—an image that imparted no information or knowledge and circulated simply for the sake of circulation. Eichhorn explores what differentiates user-generated content from content produced by compensated (although often undercompensated) workers; examines how fields from art and literature to journalism and politics have weathered the rise of the content industry; and investigates the increasing importance of artists' “content capital”—the ability of artists, writers, and performers to produce content not about their work but about their status as artists.
Publisher: The MIT Press
Published: 03 May 2022
DOI: 10.7551/mitpress/14179.001.0001
EISBN: 9780262369923
A novel defense of abduction, one of the main forms of nondeductive reasoning. With this book, Igor Douven offers the first comprehensive defense of abduction, a form of nondeductive reasoning. Abductive reasoning, which is guided by explanatory considerations, has been under normative pressure since the advent of Bayesian approaches to rationality. Douven argues that, although it deviates from Bayesian tenets, abduction is nonetheless rational. Drawing on scientific results, in particular those from reasoning research, and using computer simulations, Douven addresses the main critiques of abduction. He shows that versions of abduction can perform better than the currently popular Bayesian approaches—and can even do the sort of heavy lifting that philosophers have hoped it would do. Douven examines abduction in detail, comparing it to other modes of inference, explaining its historical roots, discussing various definitions of abduction given in the philosophical literature, and addressing the problem of underdetermination. He looks at reasoning research that investigates how judgments of explanation quality affect people's beliefs and especially their changes of belief. He considers the two main objections to abduction, the dynamic Dutch book argument, and the inaccuracy-minimization argument, and then gives abduction a positive grounding, using agent-based models to show the superiority of abduction in some contexts. Finally, he puts abduction to work in a well-known underdetermination argument, the argument for skepticism regarding the external world.