Skip Nav Destination
Article navigation
Summer 2008
June 01 2008
Numerical Methods for Simulation of Guitar Distortion Circuits
David T. Yeh,
David T. Yeh
*Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Stanford, California 94305-4088 USA [email protected], [email protected], [email protected]
Search for other works by this author on:
Jonathan S. Abel,
Jonathan S. Abel
*Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Stanford, California 94305-4088 USA [email protected], [email protected], [email protected]
Search for other works by this author on:
Andrei Vladimirescu,
Andrei Vladimirescu
†Berkeley Wireless Research Center (BWRC), University of California, Berkeley, Berkeley, California 94704-1302 USA [email protected]
Search for other works by this author on:
Julius O. Smith
Julius O. Smith
*Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Stanford, California 94305-4088 USA [email protected], [email protected], [email protected]
Search for other works by this author on:
David T. Yeh
*Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Stanford, California 94305-4088 USA [email protected], [email protected], [email protected]
Jonathan S. Abel
*Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Stanford, California 94305-4088 USA [email protected], [email protected], [email protected]
Andrei Vladimirescu
†Berkeley Wireless Research Center (BWRC), University of California, Berkeley, Berkeley, California 94704-1302 USA [email protected]
Julius O. Smith
*Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Stanford, California 94305-4088 USA [email protected], [email protected], [email protected]
Online ISSN: 1531-5169
Print ISSN: 0148-9267
© 2008 Massachusetts Institute of Technology
2008
Computer Music Journal (2008) 32 (2): 23–42.
Citation
David T. Yeh, Jonathan S. Abel, Andrei Vladimirescu, Julius O. Smith; Numerical Methods for Simulation of Guitar Distortion Circuits. Computer Music Journal 2008; 32 (2): 23–42. doi: https://doi.org/10.1162/comj.2008.32.2.23
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
Advertisement
Related Articles
A Review of Digital Techniques for Modeling Vacuum-Tube Guitar Amplifiers
Computer Music Journal (June,2009)
Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones
Computer Music Journal (March,2015)
Acoustic, Electric and Virtual Noise: The Cultural Identity of the Guitar
Leonardo Music Journal (December,2006)
Automatic Phrase Continuation from Guitar and Bass Guitar Melodies
Computer Music Journal (September,2013)
Related Book Chapters
The Connectionist Air Guitar: A Dream Come True
Musical Networks: Parallel Distributed Perception and Performance
The Iterative−Numerical Mode
Cultures of Prediction: How Engineering and Science Evolve with Mathematical Tools
Numerical Quantity in the Brain
A Brain for Numbers: The Biology of the Number Instinct
Distortions
Body Am I: The New Science of Self-Consciousness