Skip Nav Destination
Article navigation
Spring 2010
March 01 2010
David W. Bernstein, Ed.: The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde
Online ISSN: 1531-5169
Print ISSN: 0148-9267
© 2010 Massachusetts Institute of Technology.
2010
Computer Music Journal (2010) 34 (1): 104–106.
Citation
David W. Bernstein, Ed.: The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. Computer Music Journal 2010; 34 (1): 104–106. doi: https://doi.org/10.1162/comj.2010.34.1.104
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
19
Views
Advertisement
Cited By
Related Articles
Rethinking Anna Halprin’s Parades and Changes: Postmodern Dance, Racialized Urban Restructuring, and Mid-1960s San Francisco
TDR/The Drama Review (June,2020)
Electric Circus, Electric Ear and the Intermedia Center in Late-1960s New York
Leonardo (February,2012)
Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan
October (February,2023)
“The Way I Would Feel About San Quentin”: Johnny Cash & the Politics of Country Music
Daedalus (October,2013)
Related Book Chapters
Case Study: San Francisco
Sharing Cities: A Case for Truly Smart and Sustainable Cities
San Francisco: The space-maker
Beyond Habitat
Noises of the Avant-Garde
Noise, Water, Meat: A History of Voice, Sound, and Aurality in the Arts
Videogames as Avant-garde Art
Avant-garde Videogames: Playing with Technoculture