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June 01 2011

The “One-Person Choir”: A Multidisciplinary Approach to the Development of an Embodied Human–Computer Interface

Pieter-Jan Maes,

Pieter-Jan Maes

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. pieterjan.maes@UGent.be

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Marc Leman,

Marc Leman

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. marc.leman@UGent.be

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Katty Kochman,

Katty Kochman

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. katty.kochman@UGent.be

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Micheline Lesaffre,

Micheline Lesaffre

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. micheline.lesaffre@UGent.be

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Michiel Demey

Michiel Demey

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. michiel.demey@UGent.be

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Author and Article Information

Pieter-Jan Maes

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. pieterjan.maes@UGent.be

Marc Leman

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. marc.leman@UGent.be

Katty Kochman

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. katty.kochman@UGent.be

Micheline Lesaffre

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. micheline.lesaffre@UGent.be

Michiel Demey

Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium. michiel.demey@UGent.be

Online ISSN: 1531-5169

Print ISSN: 0148-9267

© 2011 Massachusetts Institute of Technology.

2011

Computer Music Journal (2011) 35 (2): 22–35.

https://doi.org/10.1162/COMJ_a_00054

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