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Fall 2011
September 01 2011
Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises
Alexandre Bouënard,
Alexandre Bouënard
*McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Input Devices and Music Interaction Laboratory (IDMIL), Montreal, Canada. abouenard@gmail.commarcelo.wanderley@mcgill.ca
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Marcelo M. Wanderley,
Marcelo M. Wanderley
*McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Input Devices and Music Interaction Laboratory (IDMIL), Montreal, Canada. abouenard@gmail.commarcelo.wanderley@mcgill.ca
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Sylvie Gibet,
Sylvie Gibet
†University of Bretagne Sud, VALORIA, Search Analyze Simulate and Interact with Data Ecosystems Laboratory (SEASIDE), Vannes, France. sylvie.gibet@univ-ubs.fr
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Fabrice Marandola
Fabrice Marandola
*McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Input Devices and Music Interaction Laboratory (IDMIL), Montreal, Canada. abouenard@gmail.commarcelo.wanderley@mcgill.ca
†University of Bretagne Sud, VALORIA, Search Analyze Simulate and Interact with Data Ecosystems Laboratory (SEASIDE), Vannes, France. sylvie.gibet@univ-ubs.fr
**McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Schulich School of Music, Montreal, Canada. fabrice.marandola@mcgill.ca
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Alexandre Bouënard
*McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Input Devices and Music Interaction Laboratory (IDMIL), Montreal, Canada. abouenard@gmail.commarcelo.wanderley@mcgill.ca
Marcelo M. Wanderley
*McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Input Devices and Music Interaction Laboratory (IDMIL), Montreal, Canada. abouenard@gmail.commarcelo.wanderley@mcgill.ca
Sylvie Gibet
†University of Bretagne Sud, VALORIA, Search Analyze Simulate and Interact with Data Ecosystems Laboratory (SEASIDE), Vannes, France. sylvie.gibet@univ-ubs.fr
Fabrice Marandola
*McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Input Devices and Music Interaction Laboratory (IDMIL), Montreal, Canada. abouenard@gmail.commarcelo.wanderley@mcgill.ca
†University of Bretagne Sud, VALORIA, Search Analyze Simulate and Interact with Data Ecosystems Laboratory (SEASIDE), Vannes, France. sylvie.gibet@univ-ubs.fr
**McGill University, Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Schulich School of Music, Montreal, Canada. fabrice.marandola@mcgill.ca
Online ISSN: 1531-5169
Print ISSN: 0148-9267
© 2011 Massachusetts Institute of Technology.
2011
Computer Music Journal (2011) 35 (3): 57–72.
Citation
Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola; Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Computer Music Journal 2011; 35 (3): 57–72. doi: https://doi.org/10.1162/COMJ_a_00069
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