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Issues

Volume 24, Issue 3
Fall 2000
Computer Music Journal Cover Image for Volume 24, Issue 3
All Issues
ISSN 0148-9267
EISSN 1531-5169

Contents

About This Issue
Computer Music Journal (2000) 24 (3): 1.
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Announcements
Computer Music Journal (2000) 24 (3): 4.
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News
Computer Music Journal (2000) 24 (3): 5–8.
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Interview

Composing with Objects, Networks, and Time Scales: An Interview with Horacio Vaggione
Osvaldo BudÓn
Computer Music Journal (2000) 24 (3): 9–22.
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Winners of the Fourth International Music Software Competition

Generating Musical Performances with Director Musices
Anders Friberg, Vittorio Colombo, Lars Frydén, Johan Sundberg
Computer Music Journal (2000) 24 (3): 23–29.
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The PRIE MIDI Environment
Alfio Fazio
Computer Music Journal (2000) 24 (3): 30–33.
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Doctor Webern: A Visual Environment for Computer-Assisted Composition Based on Linear Thematism
Andriy Biletskyy
Computer Music Journal (2000) 24 (3): 34–37.
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The Internet, A Musical Instrument in Perpetual Flux
Netochka Nezvanova
Computer Music Journal (2000) 24 (3): 38–41.
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Gen: A Lisp Music Environment
Guillermo Pozzati
Computer Music Journal (2000) 24 (3): 42–47.
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Sonification

Molecular Music: The Acoustic Conversion of Molecular Vibrational Spectra
Thierry Delatour
Computer Music Journal (2000) 24 (3): 48–68.
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Reviews Events

NAMM 2000, International Music Market
Computer Music Journal (2000) 24 (3): 69–70.
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Fourth Annual Mathematical Diderot Forum: Mathematics and Music
Computer Music Journal (2000) 24 (3): 70–71.
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Publications

Martin Russ: Sound Synthesis and Sampling
Computer Music Journal (2000) 24 (3): 71–74.
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Marc Treib: Space Calculated in Seconds: The Philips Pavilion, Le Corbusier, Edgard VarÈse
Computer Music Journal (2000) 24 (3): 74–76.
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Howard W. Ferstler: The Digital Audio Music List: A Critical Guide to Listening
Computer Music Journal (2000) 24 (3): 76–79.
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Jennifer A. Lennon: Hypermedia Systems and Applications: World Wide Web and Beyond
Computer Music Journal (2000) 24 (3): 79–81.
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Martin Supper: Elektroakustische Musik und Computermusik: Geschichte, Ästhetik, Methoden, Systeme
Computer Music Journal (2000) 24 (3): 81–84.
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Charles Madden: Fractals in Music: Introductory Mathematics for Musical Analysis
Computer Music Journal (2000) 24 (3): 84–86.
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Recordings

Jorge Antunes: Musica Eletronica 70's I; Musica Eletronica 70's II; Musica Eletronica 90's I
Computer Music Journal (2000) 24 (3): 86–87.
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Mary Lee Roberts: Six Compositions
Computer Music Journal (2000) 24 (3): 87–88.
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Jon Welstead and Yehuda Yannay: The Ghost in the Machine
Computer Music Journal (2000) 24 (3): 88–90.
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Ned Bouhalassa: Aérosol
Computer Music Journal (2000) 24 (3): 90–91.
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Michael Kallstrom: Stories
Computer Music Journal (2000) 24 (3): 91–92.
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Mnemonists: Horde
Computer Music Journal (2000) 24 (3): 92.
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John Oliver: Icicle Blue Avalanche
Computer Music Journal (2000) 24 (3): 92–93.
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James Dashow, Thomas DeLio, Wesley Fuller, and Shirish Korde: MUSIC/TEXT
Computer Music Journal (2000) 24 (3): 93–95.
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Gary Berger, Michael Horowitz, Simon Jaunin, Martin Neukom, Kit Powell, Nicolas Sordet, Bruno Spoerri, and Harold Vasquez: Swiss Center for Computer Music
Computer Music Journal (2000) 24 (3): 95–96.
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Products of Interest

Products of Interest
Computer Music Journal (2000) 24 (3): 97–103.
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Instructions to Contributors
Computer Music Journal (2000) 24 (3): 104.
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