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Issues

Volume 24, Issue 4
Winter 2000
Issue Cover
All Issues
ISSN 0148-9267
EISSN 1531-5169

Contents

About This Issue
Computer Music Journal (2000) 24 (4): 1.
View articletitled, About This Issue
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News
Computer Music Journal (2000) 24 (4): 4–8.
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Composition and Performance

Remarks on Computer Music Culture
Joel Chadabe
Computer Music Journal (2000) 24 (4): 9–11.
View articletitled, Remarks on Computer Music Culture
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The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music
Kim Cascone
Computer Music Journal (2000) 24 (4): 12–18.
View articletitled, The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music
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Laptop Performers, Compact Disc Designers, and No-Beat Techno Artists in Japan: Music from Nowhere
Emmanuelle Loubet
Computer Music Journal (2000) 24 (4): 19–32.
View articletitled, Laptop Performers, Compact Disc Designers, and No-Beat Techno Artists in Japan: Music from Nowhere
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Compositional Algorithms

A Computational Composer's Assistant for Atonal Counterpoint
David Evan Jones
Computer Music Journal (2000) 24 (4): 33–43.
View articletitled, A Computational Composer's Assistant for Atonal Counterpoint
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Music Perception and Cognition

Emotional Coloring of Computer-Controlled Music Performances
Roberto Bresin, Anders Friberg
Computer Music Journal (2000) 24 (4): 44–63.
View articletitled, Emotional Coloring of Computer-Controlled Music Performances
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Reviews Events

The 108
Computer Music Journal (2000) 24 (4): 64–65.
View articletitled, The 108
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Society for Electro-Acoustic Music in the United States National Conference 2000
Computer Music Journal (2000) 24 (4): 65–66.
View articletitled, Society for Electro-Acoustic Music in the United States National Conference 2000
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Sound in Space 2000 Symposium
Computer Music Journal (2000) 24 (4): 66–69.
View articletitled, Sound in Space 2000 Symposium
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Publications

Simon Reynolds: Generation Ecstasy: Into the World of Techno and Rave Culture
Computer Music Journal (2000) 24 (4): 69–70.
View articletitled, Simon Reynolds: Generation Ecstasy: Into the World of Techno and Rave Culture
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Recordings

Xopher Davidson: Antimatter
Computer Music Journal (2000) 24 (4): 71.
View articletitled, Xopher Davidson: Antimatter
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Global Guaranty Orchestra: Weltmeister
Computer Music Journal (2000) 24 (4): 71–73.
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Henry Gwiazda: noTnoTesnoTrhyThms
Computer Music Journal (2000) 24 (4): 73–74.
View articletitled, Henry Gwiazda: noTnoTesnoTrhyThms
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SOUNDS!
Computer Music Journal (2000) 24 (4): 74.
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Ricercare 1
Computer Music Journal (2000) 24 (4): 74–75.
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Zack Browning: Breakpoint Screamer; Eun-Bae Kim: Sounds of Pusan
Computer Music Journal (2000) 24 (4): 75–76.
View articletitled, Zack Browning: Breakpoint Screamer; Eun-Bae Kim: Sounds of Pusan
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Howard Sandroff: Tephillah; Pierre Boulez: Dialogue de l'ombre double; Rami Levin: A New Leaf
Computer Music Journal (2000) 24 (4): 76–78.
View articletitled, Howard Sandroff: Tephillah; Pierre Boulez: Dialogue de l'ombre double; Rami Levin: A New Leaf
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Gonzalo Biffarella: Mestizaje
Computer Music Journal (2000) 24 (4): 78–79.
View articletitled, Gonzalo Biffarella: Mestizaje
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Jan Boerman: The Complete Tape Music; Dick Raaijmakers: The Complete Tape Music
Computer Music Journal (2000) 24 (4): 79–80.
View articletitled, Jan Boerman: The Complete Tape Music; Dick Raaijmakers: The Complete Tape Music
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David Cope: Virtual Mozart: Experiments in Musical Intelligence
Computer Music Journal (2000) 24 (4): 80–81.
View articletitled, David Cope: Virtual Mozart: Experiments in Musical Intelligence
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Products

Coda Music Technology Finale 2000
Computer Music Journal (2000) 24 (4): 81–83.
View articletitled, Coda Music Technology Finale 2000
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Products of Interest

Products of Interest
Computer Music Journal (2000) 24 (4): 84–90.
View articletitled, Products of Interest
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CD Program Notes
Computer Music Journal (2000) 24 (4): 91–94.
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Instructions to Contributors
Computer Music Journal (2000) 24 (4): 95.
View articletitled, Instructions to Contributors
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