Volume 26 Issue 4 | Computer Music Journal | MIT Press

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Contents

About This Issue

Computer Music Journal (2002) 26 (4): 1.

Letters

Kim Courchene

Computer Music Journal (2002) 26 (4): 4.

Announcements

Computer Music Journal (2002) 26 (4): 5.

News

Computer Music Journal (2002) 26 (4): 6–12.

Languages and Environments for Computer Music

Dartmouth Symposium on the Future of Computer Music Software: A Panel Discussion

Eric Lyon

Computer Music Journal (2002) 26 (4): 13–30.

Max at Seventeen

Miller Puckette

Computer Music Journal (2002) 26 (4): 31–43.

How I Learned to Love a Program That Does Nothing

David Zicarelli

Computer Music Journal (2002) 26 (4): 44–51.

The CARL System: Premises, History, and Fate

Gareth Loy

Computer Music Journal (2002) 26 (4): 52–60.

Rethinking the Computer Music Language: SuperCollider

James McCartney

Computer Music Journal (2002) 26 (4): 61–68.

Computer Music Languages, Kyma, and the Future

Carla Scaletti

Computer Music Journal (2002) 26 (4): 69–82.

Reviews Events

Audible Interfaces Festival

Computer Music Journal (2002) 26 (4): 83–85.

Publications

Eduardo Reck Miranda: Composing Music with Computers

Computer Music Journal (2002) 26 (4): 85–87.

Fred Lerdahl: Tonal Pitch Space

Computer Music Journal (2002) 26 (4): 87–90.

Rolf Inge Godøy & Harald Jørgensen, Editors: Musical Imagery

Computer Music Journal (2002) 26 (4): 90–92.

David Cope: Virtual Music

Computer Music Journal (2002) 26 (4): 92–95.

Recordings

Bill Alves: The Terrain of Possibilities

Computer Music Journal (2002) 26 (4): 95–96.

CCMIX Paris: Xenakis, UPIC, Continuum

Computer Music Journal (2002) 26 (4): 96–99.

Cex: Oops! I did it again!

Computer Music Journal (2002) 26 (4): 99–100.

Margaret Lancaster: Future Flute

Computer Music Journal (2002) 26 (4): 100–102.

Jürgen Bräuninger, Curator: Southern Cones: Music Out of Africa and South America

Computer Music Journal (2002) 26 (4): 102–104.

Electro-acoustic Music From The Netherlands 2000

Computer Music Journal (2002) 26 (4): 104–105.

Diane Thome: Bright Air/Brilliant Fire

Computer Music Journal (2002) 26 (4): 105–106.

Robert Scott Thompson: Shadow Gazing

Computer Music Journal (2002) 26 (4): 106–108.

Products

PulsarGenerator Synthesis Software for MacOS

Computer Music Journal (2002) 26 (4): 108–109.

Ableton Live Sequencing Instrument, Version 1.5

Computer Music Journal (2002) 26 (4): 109–112.

Products of Interest

Products of Interest

Computer Music Journal (2002) 26 (4): 113–121.

CD Program Notes

Products of Interest

Computer Music Journal (2002) 26 (4): 122–127.

Instructions to Contributors

Computer Music Journal (2002) 26 (4): 128.