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Musical Applications of Audio Signal Processing
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Journal Articles
Publisher: Journals Gateway
Computer Music Journal (2012) 36 (3): 24–42.
Published: 01 September 2012
Abstract
View articletitled, Automatic Orchestration in Practice
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for article titled, Automatic Orchestration in Practice
We report here on the recent use of the Orchidée software by three different young composers in various compositional and instrumental contexts. Orchidée is a computer-aided orchestration environment designed to aid musicians exploring the space of instrument timbre mixtures and finding timbre combinations that fit a set of user-specified perceptual requirements. The first beta version of the software was released by the Institut de Recherche et Coordination Acoustique/Musique's (IRCAM's) Music Representations Group in 2009, after four years of intensive research, and it can already handle a small range of real-life situations, typically timbre imitation or orchestral synthesis, under instrumental constraints. Detailed examples, including score and audio excerpts, are provided.
Journal Articles
Publisher: Journals Gateway
Computer Music Journal (2012) 36 (3): 43–56.
Published: 01 September 2012
Abstract
View articletitled, A System for Tuning Instruments Using Recorded Music Instead of Theory-Based Frequency Presets
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for article titled, A System for Tuning Instruments Using Recorded Music Instead of Theory-Based Frequency Presets
Musical instrument tuners are devices that help musicians to adjust their instruments such that the played notes have the desired fundamental frequencies. In a conventional tuner, the reference tuning frequencies are preset, where the presets are obtained from tuning (musical scale) theory, such as twelve-tone equal temperament, or are user-specified temperaments. For many kinds of music in oral traditions, especially nonwestern music, widely accepted theoretical presets for tuning frequencies are not available because of the use of non-standard tunings. For such contexts, the “reference” is a master musician or a recording of a master musician. In this article, a tuning method and technology are presented that help the musician to tune the instrument according to a given (user-provided) recording. The method makes use of simultaneous audio and visual feedback during the tuning process, in which novel approaches are used for both modalities. For audio feedback, loopable stable frames, obtained automatically from the recording, are looped and played continuously. For visual feedback, a superimposed plot of the auto-difference functions is displayed instead of the conventional tuner's approach of detecting frequencies and displaying the amount of frequency difference between the input and the reference.
Journal Articles
Publisher: Journals Gateway
Computer Music Journal (2009) 33 (2): 71–84.
Published: 01 June 2009