Critics continue to debate the value of U.S. black music according to a flawed distinction between racial authenticity and social construction. Both sides have it half-right. Black music's value arose historically as the result of a fundamental contradiction in the logic of race tracing back to the slave era. As “Negro” in form, the music was constituted as the collective property of another property, a property-in-slaves. The incongruity produced a perception of black music as an auditory form embodied with fleshly substance, and this sense of racial feeling would live on despite its inconsistencies with modern ideas about race.

This content is only available as a PDF.
© 2013 by the American Academy of Arts & Sciences. Published under a Creative Commons CC BY-NC 4.0 license.
2013
This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) license, which permits copying and redistributing the material in any medium or format for noncommercial purposes only. For a full description of the license, please visit https://creativecommons.org/licenses/by-nc/4.0/legalcode.